Delhi-based artist, collector, and philanthropist Shalini Passi’s journey with art began with her own painting practice. That freedom of her own creative expression has led her to an ever-growing art collection, a foundation for emerging artists, and a digital platform that connects art, architecture, fashion, and more—with the Shalini Passi Art Foundation (SPAF) and MASH. Whitewall spoke with Passi about the emerging artists on her radar at the moment and her aim to create a global bridge for Indian artists.
Courtesy of Shalini Passi.
Courtesy of Shalini Passi.
WHITEWALL: From where does your passion for contemporary art stem?
SHALINI PASSI: Well, my inclination towards art and collecting journey started when I was young because I used to paint. My teacher in Modern School had many eminent artists as his friends like Mr. B.C. Sanyal and Manjit Bawa who came regularly to the art room in the modern school and that’s how my art journey actually began. And I grew up looking at the works of modern masters in various galleries in Delhi and museums. Art, for me, became a powerful medium of expression that transcended boundaries, and contemporary art, in particular, speaks to the ever-evolving nature of society.
“Art, for me, became a powerful medium of expression that transcended boundaries,”
Shalini Passi
WW: How did you begin collecting art? What was your first piece?
SP: I began collecting art as an extension of my deep appreciation for creativity and aesthetics. My first piece of art was my portrait painted by Manjit Bawa. He was a friend of my art teacher at Modern School.
The Founding of Shalini Passi Art Foundation and MASH
Courtesy of Shalini Passi.
Courtesy of Shalini Passi.
WW: How did collecting art influence or converge with founding the Shalini Passi Art Foundation and MASH?
SP: Collecting art gave me firsthand insight into the challenges artists face—particularly in terms of visibility, support, and opportunities for collaboration. This understanding led me to establish the Shalini Passi Art Foundation and MASH, both of which aim to provide platforms for artists, designers, and creatives to engage in meaningful discourse, showcase their work, and push boundaries. My collection is not just about acquiring works but a dialogue between art, craft, architecture, and design.
“My collection is not just about acquiring works but a dialogue between art, craft, architecture, and design,”
Shalini Passi
WW: With the Shalini Passi Art Foundation, why was it important for you to support emerging artists in particular?
SP: Emerging artists represent the future of art and culture. They bring fresh perspectives and challenge traditional narratives, yet they often struggle to gain recognition and resources. The foundation was created to bridge that gap—to mentor, support, and create opportunities for them so that they can continue to innovate and thrive.
“Emerging artists represent the future of art and culture,”
Shalini Passi
WW: What kind of support do you see as vital for emerging artists in India at this time?
SP: Beyond financial support, emerging artists in India need institutional backing, mentorship, and access to global platforms. They require exposure, residencies, and opportunities to collaborate with established artists and curators. Digital spaces also play an increasingly vital role, allowing artists to connect with a global audience.
Shalini Passi’s Evolving Collection and Vision
Courtesy of Shalini Passi.
Courtesy of Shalini Passi.
WW: How has your collection evolved since its beginning?
SP: Initially, my collection was rooted in modern Indian masters, but over time, it has expanded to include contemporary, experimental, and interdisciplinary works. I am particularly drawn to works that challenge perceptions, engage with materiality in innovative ways, and speak to global socio-political issues. My collection is always evolving, mirroring my own journey as a collector and patron.
“I am particularly drawn to works that challenge perceptions, engage with materiality in innovative ways, and speak to global socio-political issues,”
Shalini Passi
WW: Who are the emerging artists on your radar at the moment?
SP: There are several young artists whose work I find incredibly compelling, such as Arpita Akhanda and Ayesha Singh. They are each pushing boundaries in their respective practices, whether it’s through material experimentation, architectural interventions, or performance-based art.
WW: What is next for the Shalini Passi Art Foundation?
SP: We are working on expanding our digital presence, launching more collaborative projects, and developing mentorship programs that provide direct support to emerging artists. My vision is to create a global bridge for Indian artists, offering them opportunities beyond national borders while continuing to celebrate India’s rich cultural heritage in contemporary ways.
Courtesy of Shalini Passi.
Courtesy of Shalini Passi.
