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Go inside the worlds of art, fashion, design, and lifestyle.

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Hirst 2018 NY 555 Install 2Hirst 2018 NY 555 Install 2
Installation view of "Damien Hirst: Colour Space Paintings"
Photography by Rob McKeever

Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Courtesy of Gagosian
HIRST 2016.0236_Transparent LakeHIRST 2016.0236_Transparent Lake
Damien Hirst

Transparent Lake
2016

Household gloss on canvas

96 x 120 inches
Photo by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2018
HIRST 2016.0211_ManganeseHIRST 2016.0211_Manganese
Damien Hirst

Manganese
2016

Household gloss on canvas

59 x 59 inches
Photo: Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2018
HIRST 2016.0193_GrapefruitHIRST 2016.0193_Grapefruit
Damien Hirst

Grapefruit
2016

Household gloss on canvas

16 x 24 inches
Photo by Prudence Cuming Associates
© Damien Hirst and Science Ltd. All rights reserved, DACS 2018
Hirst 2018 NY 555 Install 24Hirst 2018 NY 555 Install 24
Installation view of "Damien Hirst: Colour Space Paintings"
Photography by Rob McKeever

Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Courtesy of Gagosian
HIRST 2016.0236_Transparent LakeHIRST 2016.0236_Transparent Lake
Damien Hirst

Transparent Lake
2016

Household gloss on canvas

96 x 120 inches
Photo by Prudence Cuming Associates

© Damien Hirst and Science Ltd. All rights reserved, DACS 2018
Art

In “Colour Space Paintings” Damien Hirst Revisits the Dot

By Rema Hort

July 17, 2018

Damien Hirst’s latest show, “Colour Space Paintings,” at Gagosian (555 West 24th Street in New York) re-explores the artist’s ongoing relationship with dots. The works consist of an overwhelming number of brightly colored circles placed closely together over large canvases.

The canvases vary in size, background color, and, as Hirst explains, “there are still no two exact colors that repeat in each painting.” Each of the paintings feel human and authentic. The dots are not pristine, perfectly painted circles. Instead, they are active, spontaneous, and painterly. The dots accidently overlap and the paint happens to splatter, as if indicating the impulsivity that went into this body of work. There is something almost Pollock-esque about it. As a result, there is uniqueness in each and every one of the paintings.

Open Gallery

Hirst 2018 NY 555 Install 2Hirst 2018 NY 555 Install 2
Installation view of "Damien Hirst: Colour Space Paintings"
Photography by Rob McKeever

Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Courtesy of Gagosian

These paintings are both a continuation and a revolution from his earlier “Spot Paintings.” Hirst’s earlier work is much more rigid, subject to the formality of the grid. In comparison, this new body of work is much freer. While “Colour Space Paintings” still adheres to most of the original rules established by Spot Paintings—like, no single color repeats in a painting, or that the dot size remains constant in the work—this time around there’s a different message. One that is much more emotionally liberated.

Damien HirstGagosianNew YorkRema HortWhitewallWhitewaller

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