• Art
  • Lifestyle
  • Fashion
  • Design
  • Sustainability
  • Homepage
  • Whitewall Presents
  • Whitewaller
  • Insiders

Subscribe to the Newsletter

Subscribe to the Magazine


"Yayoi Kusama: 1945 to Now"

Hong Kong

Yayoi Kusama: 1945 to Now
"Yayoi Kusama: 1945 to Now"
Maria SharapovaMaria Sharapova


Go inside the worlds of art, fashion, design, and lifestyle.

The Emancipation Approximation Portfolio<br>1999 - 2000The Emancipation Approximation Portfolio<br>1999 - 2000
Complete set of 26 screenprints in colors, the full sheets, signed and annotated

Kara Walker, Highlight of Philips’ New York Sale of Contemporary Editions

By Ryan McClure

April 26, 2013

Kara Walker’s work “Emancipation Approximation” portfolio (1999-2000) will be auctioned at Philips’ New York Sale of Contemporary Editions on April 29. The complete set of 26 screen prints is available for the first time and represents the artist’s iconic graphic project.

Cary Leibowitz, Philips Director of Contemporary Editions said, “Walker’s work always says quite a bit, although she says it elegantly and quite minimally.” This collection of print works is no exception.

The set, which is based on a mural Walker first exhibited in 1999, is one of the artist’s pivotal works in print. Walker’s use of monochromatic black, white, and grey helps to introduce important overlooked themes regarding race and history with a rather graceful nuance. In the series, she successfully uses the traditional cut-paper silhouette to create a contemporary lens with which to focus on issues regarding power and identity, and its link to concerns today.

The juxtaposition between Walker’s use of pastoral imagery to portray graphic realities, references stories from African-American folktales as well as Greek Mythology. The artist recalls how silhouettes, like stereotypes, use limited information to create simplified ideologies. While there is no concrete narrative to the series, Walker successfully creates a pictorial language that transcends formalized storytelling. This pictorial language creates fluidity and balance within the work. Her work, much like one of her influences, Andy Warhol, aims to break down established ideas using complex intellectual humor and subversive material. While this helps to create the occasional controversy, the work speaks for itself and conveys an important message.

“The Emancipation Approximation” portfolio (1999-2000) can be previewed through April 29 at Phillips (450 Park Avenue, New York), or online here.

Cary LeibowitzKara WalkerPhilips


Our ValuesContactAdvertiseTerms
© Whitewall 2020

Go inside the worlds of art, fashion, design, and lifestyle.

Subscribe to the Newsletter