The Collector’s Edit: 10 Standout Presentations at NOMAD St. Moritz

NOMAD St. Moritz once again took the collecting world by storm in 2025, achieving unprecedented heights in quality and immersive curation. The fair’s 15th edition, held from February 20 to 23, transformed the former Klinik Gut into a spectacular stage for art, design, and high jewelry.

The venue’s history added a layer of exclusivity to the experience. Once a private retreat for elite clientele—including Günther Sachs, who famously paneled his hospital room in wood and installed a fireplace—the clinic’s spirit of reinvention mirrored NOMAD’s approach, where historical settings become active participants in the collecting narrative.

As collectors, curators, and connoisseurs navigated Klinik Gut’s transformed spaces, the atmosphere was both electric and intimate—a testament to NOMAD’s ability to reimagine historic settings as immersive environments for discovery. From the refined material interplay of the Welcome Hall to the curated elegance of a-Ma-Re Capri, every detail underscored the fair’s commitment to excellence. With each participating gallery’s proposal thoughtfully approved by founders Nicolas Bellavance-Lecompte and Giorgio Pace, NOMAD 2025 spanned Old Masters to avant-garde design, rare antiquities to contemporary sculpture—an unmissable moment in the collecting calendar. Here, Whitewall presents the 10 most iconic presentations that defined this year’s edition.

Brun Fine Art

Brun Fine Art reaffirmed its dedication to historical craftsmanship and contemporary relevance at NOMAD St. Moritz 2025 with a meticulously curated selection bridging past and present. Underpinning the presentation was an exploration of the philosophical triad—subject, deprivation, and form—as intrinsic principles of artistic becoming. Among the highlights was Anne De Carbuccia’s Love&Protect (2022), a striking mixed-media diptych on photographic paper, delicately stitched with crimson thread—a reflection of the artist’s environmental advocacy. Lucio Fontana’s Decoration of Entrance Wardrobe (1956), designed by architect Renato Angeli, offered a rare glimpse into the artist’s early punctured surfaces, combining layers of colored paint, glass, and wood, sourced from a private Milanese collection. Osvaldo Borsani’s Toilette Dressing Table with Matching Chair (1931), produced by ABV Arredamenti Borsani Varedo, showcased innovative elegance through curved mirrored glass, carved wooden profiles, and adjustable backlit mirrors. With this thoughtful approach, Brun Fine Art reinforced its position as an essential destination for collectors seeking museum-quality pieces of enduring aesthetic and intellectual significance.

theStable

Since its founding in 2022, theStable, based in S-chanf in the Engadin Valley, has swiftly become a cultural anchor—fusing local resonance with a distinctly global perspective. At NOMAD St. Moritz 2025, the gallery curated a compelling cross-section of contemporary voices, each probing the porous boundaries between materiality, form, and conceptual experimentation. Among the standouts was Yves Scherer’s Imagine (2024), a multi-layered lenticular work that challenged perceptions of depth and image, blurring the line between the tangible and the ephemeral. Sigve Knutson’s hand-carved sculptures evoked a primal dialogue between craft and instinct, while Emma Stern’s Fawn (2024)—a 3D-printed, electroplated aluminum sculpture—embodied her signature fusion of digital fantasy and classical technique. “There’s a subtle synergy between the artists I work with, even if their practices are completely different,” shared founder Fritz Steinhart, encapsulating theStable’s curatorial ethos of thoughtful contrast and cohesion. Their presentation at NOMAD reaffirmed the gallery’s commitment to bold narrative-making, material risk-taking, and the cultivation of emerging perspectives—securing its place as one of the fair’s most dynamic and forward-thinking showcases.

Suzanne Syz Art Jewels

Suzanne Syz Art Jewels once again challenged conventions with Treasure Island, a dazzling presentation that blurred the line between high jewelry and collectible art. A longtime champion of craftsmanship and innovation, Syz has redefined the role of jewelry, elevating it into expressive art. Inspired by her deep ties to the art world—particularly her years immersed in New York’s electrifying 1980s scene alongside Jean-Michel Basquiat, Andy Warhol, and Jeff Koons—her creations embody individuality and playfulness. Their influence resonates clearly through her bold, unconventional materials, vibrant colors, and sculptural forms. “I’ve always created my pieces as little art objects to wear,” Syz shared. “Jewelry has been collected for centuries, and I see it as a legacy for future generations.” With fearless creativity and meticulous craftsmanship, Suzanne Syz Art Jewels is essential for discerning collectors who value originality, artistry, and the exceptional.

Nilufar Gallery

A beacon of collectible design, Nilufar Gallery’s return to NOMAD was nothing short of poetic, engaging in a sublime dialogue between art, nature, and craft. The gallery’s presentation centered on talented artist Christian Pellizzari’s Frosted Mirror Syriacus, an ethereal outdoor light installation set against the pristine backdrop of Lake St. Moritz. Installed in the grounds of the historic Hotel Waldhaus am See, Pellizzari’s glowing glass sculptures evoked mutant botanical forms—otherworldly creatures suspended between flora and fauna—symbolizing the delicate resilience of nature in the face of environmental change. “I like to see my works immersed in nature because they are inspired by nature,” Pellizzari explained, underscoring the organic fluidity of his creative process. Nilufar’s founder, Nina Yashar, further contextualized the installation within the gallery’s ethos of visionary curation, stating: “His work perfectly reflects the spirit of Nilufar—he creates unique objects that dialogue effortlessly with their surroundings and enrich spaces with timeless elegance.” Once again, Nilufar proved why it remains a pioneering force in collectible design, offering collectors experiences that transcend mere objects and become lasting memories.

Buccellati

Buccellati’s “Convivium Montis,” conceived in collaboration with David/Nicolas, was an immersive celebration of Alpine grandeur and haute craftsmanship. The setting—a modern alpine chalet within NOMAD’s transformed Klinik Gut—served as a harmonious backdrop for the maison’s legendary Art de la Table. At its core was the Cervino Collection, inspired by the sculptural drama of the Matterhorn, where silverware took on the undulating beauty of glacial formations and jagged peaks. David/Nicolas’ signature aesthetic—a fusion of organic textures, layered compositions, and architectural precision—further enhanced the display, creating a visceral sense of warmth and refinement. Meticulously set with intricate silverware, embroidered textiles, and candles arranged with an almost painterly attention to light, the table evoked the intimacy of shared rituals and the art of gathering. Buccellati’s presentation wasn’t just about silver—it was about the ephemeral beauty of coming together, showcasing once again that exquisite craftsmanship can transcend materiality into an experience of its own.

Robilant+Voena

A masterclass in curatorial excellence, Robilant+Voena’s presentation at NOMAD St. Moritz 2025 united some of art history’s most revered names, anchored by J.M.W. Turner’s The Splügen Pass (c. 1842–43). This rare Swiss landscape—unseen in Switzerland for over 180 years—epitomized Turner’s mastery of light and atmosphere, its presence both a historic homecoming and a collector’s dream. Praised by John Ruskin as “the best Swiss landscape yet painted by man,” it set the stage for a dynamic selection of works. Lucio Fontana’s pioneering ceramics, from the sacred tenderness of Madonna and Child (1954–55) to the radical Concetto Spaziale series, redefined clay as a medium of spatial rupture. Michelangelo Pistoletto’s Color and Light (2024) activated space through reflection and perception, while Harumi Klossowska de Rola’s bronze sculptures distilled nature’s essence into refined sculptural form. With this meticulously curated presentation, Robilant+Voena reaffirmed its stature as a leader in historical and modern masterpieces, where past, present, and future converged in a singularly impactful display.

L’Appartement

L’Appartement’s presentation at NOMAD seamlessly bridged contemporary art and collectible design, expanding on its Great Affinities exhibition with a deeply immersive curation. Showcasing Australian Aboriginal artists—including Clifford Possum Tjapaltjarri, Emily Kame Kngwarreye, and Gabriella Possum Nungurrayi—the gallery illuminated ancestral narratives and spiritual ties embedded in their works. Through intricate dotting techniques and layered color fields, these paintings serve as visual records of Dreaming stories, mapping sacred sites and cultural memory in a sophisticated, coded language. Departing from conventional displays, the gallery placed artworks on both walls and floors, mirroring their traditional creation and viewing in Indigenous communities—transforming the space into a living landscape of storytelling and movement. Complementing this powerful display, collectible design objects by Tanguy Tourain, Maison Jonckers, Corpus Studio, and Ahu Studio echoed the depth and materiality of the paintings. By merging ancient artistic traditions with contemporary craftsmanship, L’Appartement delivered one of the fair’s most thought-provoking presentations, reinforcing its commitment to dialogues that transcend time, geography, and artistic disciplines.

Todd Merrill Studio

Todd Merrill Studio’s NOMAD St. Moritz 2025 presentation was a striking showcase of material innovation and sculptural design, where lighting, furniture, and mixed-media works redefined form and function. Among the standouts was Markus Haase’s monumental bronze circlet chandelier, seamlessly blending hand-carved wood, cast bronze, and stone into an architectural yet fluid composition. Pia-Maria Raeder’s biomorphic Sea Anemone lamps and Stardust tables, meticulously crafted from beechwood rods, transformed rigid materials into ethereal, almost weightless forms. Maarten Vrolijk’s debut hand-blown glass lighting series extended his mastery of glass vessels, balancing delicate fragility with sculptural boldness. The booth also introduced Parisian marquetarian Hervé Obligi, ceramic artist Jessica Boubetra, and Finnish experimental designer Teemu Salonen, each exploring the intersection of tradition and avant-garde craft. Blurring the lines between art, function, and sculpture, Todd Merrill Studio delivered a standout display for collectors drawn to boundary-pushing design.

SECCI

SECCI’s presentation at NOMAD St. Moritz 2025 was a masterful balance of legacy and innovation, seamlessly bridging post-war avant-gardism with contemporary collectible design. Anchored by iconic works from Alighiero Boetti, Giorgio de Chirico, and Joan Miró—pillars of 20th-century artistic movements—the booth stood out for its bold selection of contemporary works. Among them, Liam Lee’s vividly hued biomorphic chairs in striking shades of orange and green stole the spotlight, their surreal, organic forms blurring the lines between sculpture and function—tactile, alien-like structures that seemed almost alive. Alissa Volchkova’s molten-textured glass sculptures defied the constraints of traditional glassmaking, while Kevin Francis Gray’s ethereal porcelain busts added a haunting sense of introspection and fragility. By juxtaposing historical icons with cutting-edge visionaries, SECCI crafted a dynamic dialogue between past and future, making its booth an essential destination for collectors drawn to both intellectual depth and material innovation.

Maisonjaune Studio

Maisonjaune Studio at NOMAD showcased a lyrical study in harmony—where form, material, and emotion converged to create a quietly poetic environment. Guided by the eclectic vision of founders Elodie and Julien, the space invited visitors into “Alma Eco,” a warm, sensory landscape that blurred the boundaries between vintage elegance and contemporary design. The presentation unfolded as an intuitive dialogue between past and present, anchored by tactile furnishings such as the Besos chairs by Atelier Manos and Maisonjaune’s own Edition pieces, including the debut of the Square armchair from their new Avalon collection. Subtle yet immersive, the atmosphere was elevated by the conceptual gestures of Jordi Alcaraz, whose works deepened the spatial rhythm with their abstract materiality. As with all of Maisonjaune’s projects, the booth functioned not simply as an exhibition but as an emotive interior—a scenographic composition where every object breathed with intention, and the art of living was rendered quietly profound.

NOMAD St. Moritz 2025 transcended the conventional boundaries of a fair, offering an immersive journey where the essence of collecting was redefined through intimate encounters, aesthetic discovery, and moments of genuine transformation.