The Eighth Dior Lady Art Collection
The highly anticipated Dior Lady Art commission returns for its eighth edition, inviting 12 artists to add their creative touch to the Lady Dior handbag. The maison reveals the latest marvels by artists like Mickalene Thomas, Hilary Pecis, Ludovic Nkoth, and Jeffrey Gibson, following in the footsteps of past collaborators like Judy Chicago, Raqib Shaw, Polly Apfelbaum, Ghada Amer, and Song Dong.
Given carte blanche over the rectangular handbag, which traditionally features the topstitched Cannage motif, a rounded handle, and dangling “Dior” charms, the artists are set with the task of re-creating the functional accessory with their own mediums and influences. Over the years, this has seen the iconic bag crafted with a growing list of materials including beading, PVC, embroidery, flowers, muslin, fur, and abundant imagination. While each one-of-a-kind handbag is truly a paragon of artistry, as always, there are a few designs that have lingered in our minds with a particular fondness.
Hilary Pecis and Jeffrey Gibson for Dior Lady Art
The snapshots of everyday beauty captured in Pecis’s contemporary still-life paintings become a tactile delight representing the artist’s painting of a pond of water lilies. A wavy gold handle and charm lettering capture the soft rippling movement of water, while the abundant floating leaves and petals extend away from the bag in sequins, stones, and beads.
Also employing techniques of ornate beading, Gibson’s artistic signature has yielded two models in neat, colorful patterns. One suggests traditional Native American prints, alluding to Gibson’s Choctaw and Cherokee heritage, and the second suggests links in past and present through an abstract representation of a face on one side, charms made from giant pixels, and the words “I can do whatever I choose” on the other.
Ludovic Nkoth and Mickalene Thomas for Dior Lady Art
Three models from the Cameroonian-born, U.S.-based artist Nkoth—two leather variations and one in black satin—combine the universe of the maison and that of his own practice with understated elegance. The outside of each Lady Dior sees the traditional Cannage reconceived with the addition of jewelry-like details, beads, tiny enamel seashells, and small metal mask charms. The inside of the bags each holds a secret gallery for their owners, lined with fabric printed in imagery from Nkoth’s “Systems’ series.
Returning collaborator Thomas imagined two new artistic renditions that reflect two of the artist’s series, respectively, pulling from a practice driven by the feminist gaze and challenging traditional standards of beauty. A departure from Thomas’s “Tête de Femme” series (“woman’s head”) sees the first bag’s surface bearing facial features depicted in alluring layers of beading and rhinestones, topped with a sparkling black crystal fringe and a red velvet handle. The second pulls from the artist’s works depicting interiors, artfully alluding to a cozy home space with seating elements and suggestions of architecture achieved through textural patchworks of various materials.
The artistic visions of Nkoth, Thomas, Pecis, and Gibson are joined by pieces from international artists Mircea Cantor, Gilbert & George, Ha Chong-Hyun, Lee Kun-Yong, Mariko Mori, Zadie Xa, Michaela Yearwood-Dan, and Xu Zhen for the latest Dior Lady Art collection, out this month.