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Courtesy of Marchesa.
Image by FirstVIEW.
Courtesy of Marchesa.
Image by FirstVIEW.
Courtesy of Marchesa.
Image by FirstVIEW.
Courtesy of Marchesa.
Image by FirstVIEW.
Courtesy of Marchesa.
Image by FirstVIEW.
Courtesy of Marchesa.
Image by FirstVIEW.
Courtesy of Marchesa.
Image by FirstVIEW.
Fashion

Marchesa Channels Highgrove Gardens & John Singer Sargent

By Eliza Jordan

February 25, 2016

It is challenging to discuss Marchesa’s newest collection simply for the fact that one does not want to give too high of praise to the regularly captivating designs and collections by Georgina Chapman and Keren Craig—it’s also hard to resist. Within the past 12 years, they have turned ephemeral designs into foundation fashions, and this season is no different. Last week at their fall 2016 ready-to-wear show within The Dock at Moynihan Station, Marchesa brought us to a euphoric place, issuing tranquility and seductive effortlessness in a multitude of ways.

After the venue’s house lights dimmed down, faint shimmers of light continued to dust the runway, and “All This Love” by Angus & Julia Stone began to play. With each sweet beat, models dressed in luminous designs, royal materials, and seasonal colors swished by. For this collection, Marchesa sourced inspiration from painter John Singer Sargent, and combined the color palette with hues from the Highgrove Gardens in the United Kingdom. This combination allowed for ultra-feminine looks with luminous silhouettes, fascinating embroidery, and seamless threadwork resembling brocades. Jeweled necklace dresses and floor-length regal gowns dripped in opulent pearls, silk flowers and organza, marabou feathers, cascading golden lace, and bulge beading.

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Courtesy of Marchesa.
Image by FirstVIEW.

To complement each look, Marchesa’s recent shoes, jewelry, and handbags graced the runway, offering new styles like the Mae shoe—a suede stiletto with a replicated horn heel and a hand-carved floral buckle—and the Mairsol clutch—an embroidered clutch with ostrich feather detailing. A few whimsical looks in particular caught our eyes: a nude tulle fishtail gown with garnet and bronze floral embroidery, coupled with the Mae shoe; a red to black ombré tulle ball gown with a halter neck strap, laser-cut organza flowers, and tiered ombré tulle skirt; a pink ombré wire-hemmed pleated tulle gown with blush and ivory floral threadwork embroidery; a dusty blue ostrich feather cocktail dress with gunmetal embroidery and a satin-faced organza sash; a gold tulle gown with light gold and silver floral embroidery on flutter cap sleeves and a sculptural cascading skirt; and a pink ombré gown in cascading organza layers with blush and light gold floral threadwork embroidery.

As crown jewels, earring gems, and majestic dresses illuminated in the light, the fall 2016 collection caught the attention of everyone in the room. We all wished it could have lived on, like a brushstroke in a Sargent painting or a lush sculpture in Highgrove Gardens, just a little longer.

Open Gallery

Courtesy of Marchesa.
Image by FirstVIEW.

Open Gallery

Courtesy of Marchesa.
Image by FirstVIEW.

Open Gallery

Courtesy of Marchesa.
Image by FirstVIEW.
All This LoveAngus and Julia StoneCoutureEliza JordanFashion WeekFW16Georgina ChapmanHighgrove GardensItalyjohn singer sargentkeren craigMarchesaMarchesa fashionNYFWNYFW16U.K.WhitewallWhitewaller

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