The Met Traces the Lines of Beauty in the Work of Karl Lagerfeld 

“Karl Lagerfeld was one of the most captivating, prolific, and recognizable forces in fashion and culture, known as much for his extraordinary designs and tireless creative output as for his legendary persona,” said Max Hollein, Marina Kellen French Director of The Met.

Installed within the museum’s Tisch Galleries, the exhibition made possible by Chanel with support from Fendi looks to Lagerfeld’s legendary presence in fashion, spanning the 1950s through 2019. Instead of a typical retrospective, the show has been conceived as a sort of conceptual essay, inspired by the publication The Analysis of Beauty (1753)by William Hogarth, which considers aesthetics and beauty in terms of straight lines—representative of stillness—and serpentine lines—representing liveliness and movement.

With a layout by the architect Tadao Ando, “A Line of Beauty” leads viewers on a journey of Lagerfeld’s work with fashion houses like Balmain, Patou, Chanel, Chloé, Fendi, and his eponymous label. His undeniable influence on contemporary culture is explored through a selection of some of the designer’s most noteworthy garments, archival photographs from his various campaigns, collections, runway shows, sketches, and a series of video interviews with French filmmaker Loïc Prigent. Visitors will find thematic galleries looking at the earlier developmental stage of his work, his singular sketching style, and the duality of his designs framed through Hogarth’s concept of lines.

“The exhibition will explore Lagerfeld’s complex working methodology, tracing the evolution of his fashions from the two-dimensional to the three-dimensional,” said Andrew Bolton, Wendy Yu Curator in Charge, The Costume Institute. “The fluid lines of his sketches found expression in recurring themes in his fashions, uniting his designs for Chanel, Chloé, Fendi, his eponymous label, Karl Lagerfeld, and Patou, creating a diverse and prolific body of work unparalleled in the history of fashion.”

Viewers are first met by Lagerfeld’s foundation and sketches—his main form of creative communication—and brought to a section dedicated to his ateliers and the seamstresses responsible for translating his designs. The presentation then diverges into conceptual sections grouping Lagerfeld’s designs into straight and serpentine lines that represent his more minimalistic and modernistic tendencies and his juxtaposing love for more decorative, romantic design choices, respectively.

Diving further into this concept, spaces dedicated to “sublines” represent the vast contrasts and dichotomies of Lagerfeld’s oeuvre throughout the years, also highlighting the unique moments when these differing qualities converge. The exhibition ends with a display of satire, wherein a pair of displays feature garments that detail Lagerfeld’s use of irony and playfulness, contrasted by a series of ensembles looking to his own personal black and white uniform of choice.

Said Hollein, “This immersive exhibition will unpack his singular artistic practice, inviting the public to experience an essential part of Lagerfeld’s boundless imagination and passion for innovation.”