Duke Riley has no qualms about rocking the boat of the plastics industry. In “DEATH TO THE LIVING, Long Live Trash” at the Brooklyn Museum, the artist repurposes discarded plastics found across Northeast American beaches into maritime-themed pieces, drawing parallels between the whaling industry’s and the plastics industry’s environmental impacts.
Duke Riley, “Nos. 50-P, 74-P, 10, 70, 112, and 106
of The Poly S. Tyrene Memorial Maritime Museum,” 2020, salvaged, painted plastic, photo by Robert Bredvad, courtesy of the artist, © Duke Riley.
On view now through April 23, 2023 are close to 250 works—both new and old‚ including Riley’s modern adaptation of scrimshaws. Scrimshaws are etchings typically created by whalers on the byproducts of whales, but instead of using whale teeth or bones, Riley utilizes repurposed plastic containers. The artist maintains the traditional imagery of scrimshaws but also depicts international business leaders of the plastics industry. Riley selected a few examples of 19th-century pieces from the Brooklyn Museum’s collection to display in comparison. The exhibit further connects to the past in the 17th- and 18th-century Jan Martense Schenck and Nicholas Schenck Houses, a pair of American period rooms available to the public to experience for the first time.
Duke Riley, “I’m Delicious, Come On Get Your
Money’s Worth,” 2020, found plastic trash, mahogany, photo by Robert Bredvad, courtesy of the artist, © Duke Riley.
Riley balances his critiques with reflections on those promoting clean waterways and reduced plastic consumption. He presents short films highlighting the work of New York community members, and the Brooklyn Museum is working on collaborations with organizations such as the New York Aquarium, in addition to grassroots groups, to further promote sustainability and clean waterways in New York.
Duke Riley, “No. 265 of The Poly S. Tyrene Memorial Maritime Museum,” 2020, salvaged, painted plastic, photo by Duke Riley, courtesy of the artist, © Duke Riley.
Riley emphasizes that although the material goods have changed, capitalism’s environmental impact remains just as dangerous to our waterways, and “DEATH TO THE LIVING, Long Live Trash” encourages all to reflect on their individual consumer habits and the immense scale of the environmental impact of larger corporations.
Duke Riley, “Monument to Five Thousand Years of
Temptation and Deception (I),” 2020. Salvaged, painted plastic, mahogany, photo by Will Howcroft for Praise Shadows Art Gallery,
courtesy of the artist and Praise Shadows Art Gallery, MA, © Duke Riley.
Duke Riley (American, born 1972). Nos. 50-P, 74-P, 10, 70, 112, and 106
of The Poly S. Tyrene Memorial Maritime Museum, 2020. Salvaged,
painted plastic. Courtesy of the artist. © Duke Riley. (Photo: Robert
Bredvad)
