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Migrant MotherMigrant Mother
Dorothea Lange, "Migrant Mother," Nipomo, California, 1937, courtesy to the artist and The Dorothea Lange Collection, Oakland Museum of California.
Dans le fossé, en panne et sans ressourcesDans le fossé, en panne et sans ressources
Dorothea Lange, "Dans le fossé, en panne et sans ressources," Vallée de San Joaquin, California, 1936, courtesy to the artist and The Dorothea Lange Collection, Oakland Museum of California.
Soupe populaire de «l’Ange blanc»Soupe populaire de «l’Ange blanc»
Dorothea Lange, "Soupe populaire de «l’Ange blanc»," San Francisco, California, 1933, courtesy to the artist and The Dorothea Lange Collection, Oakland Museum of California.
Arles, Barriol

Dorothea Lange: The Grapes Of Wrath

Musée Réattu is showing “The Grapes Of Wrath,” an exhibition of Dorothea Lange’s work through October 3.

June 12, 2021 - October 3, 2021

Musée Réattu is showing “The Grapes Of Wrath,” an exhibition of Dorothea Lange’s work through October 3.  In 1998, the Hôtel Sully in Paris hosted the “Dorothea Lange” exhibition, consisting of 170 photographs by the famous American photographer. The exhibition was curated by Sam Stourdzé, who had 36 silver prints made for the occasion from negatives held by the Oakland Museum of California. Sam Stourdzé, particularly attached to Arles, both personally and as the former director of the Rencontres de la Photographie, offered to donate these prints to the Musée Réattu. 

This collection of work covers the period between 1933 and 1940, from the photographer’s first street photographs in San Francisco, to the sets corresponding to the missions she carried out from 1935 onwards for the Resettlement Administration. The show celebrates Lange’s legacy by presenting the initial selection of images.

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10 Rue du Grand Prieuré, 13200 Arles, France
Migrant MotherJun 12 - Oct 3Migrant Mother
Musée Réattu
Dorothea Lange: The Grapes Of Wrath
Musée Réattu is showing “The Grapes Of Wrath,” an exhibition of Dorothea Lange’s work through October 3.

Exhibitions

"How Fast Shall We Sing," courtesy of the Rencontres d’Arles."How Fast Shall We Sing," courtesy of the Rencontres d’Arles.
Arles, Arles |Exhibitions

Frida Orupabo: How Fast Shall We Sing

The Rencontres d’Arles presents “How Fast Shall We Sing."

“Cartographies du Corps,” courtesy of the Rencontres d’Arles.“Cartographies du Corps,” courtesy of the Rencontres d’Arles.

Susan Meiselas: Cartographies du Corps

The Rencontres d’Arles presents “Cartographies du Corps.”

"Photography & the Cloud," courtesy of the Rencontres d’Arles."Photography & the Cloud," courtesy of the Rencontres d’Arles.

Photography and the Cloud

The Rencontres d’Arles presents “Photography & the Cloud.”

"Town Boy," courtesy of the Rencontres d’Arles."Town Boy," courtesy of the Rencontres d’Arles.

Satish Kumar: Town Boy

The Rencontres d’Arles presents “Town Boy.”

"Geometric Forests," courtesy of the Rencontres d’Arles."Geometric Forests," courtesy of the Rencontres d’Arles.

Geometric Forests: Struggles on Mapuche Land

The Rencontres d’Arles presents “Geometric Forests: Struggles on Mapuche Land.”

"James Barnor," courtesy of the Rencontres d’Arles."James Barnor," courtesy of the Rencontres d’Arles.

James Barnor: Stories. Pictures from the Archive (1947-1987)

The Rencontres d’Arles presents “James Barnor: Stories. Pictures from the Archive (1947-1987).”

"Sandra Rocha and Perrine Geliot," courtesy of the Rencontres d’Arles."Sandra Rocha and Perrine Geliot," courtesy of the Rencontres d’Arles.

Sandra Rocha and Perrine Geliot

The Rencontres d’Arles presents “Sandra Rocha and Perrine Géliot.”

"A Feminist Avant-Garde," courtesy of the Rencontres d’Arles."A Feminist Avant-Garde," courtesy of the Rencontres d’Arles.

A Feminist Avant-Garde

The Rencontres d’Arles presents “A Feminist Avant-Garde.”

"Mitch Epstein in India, 1978-1989," courtesy of the Rencontres d’Arles."Mitch Epstein in India, 1978-1989," courtesy of the Rencontres d’Arles.

Mitch Epstein in India, 1978-1989

The Rencontres d’Arles presents “Mitch Epstein in India, 1978-1989.”

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