The Rencontres d’Arles presents “How Fast Shall We Sing,” an exhibition of collages by the Norwegian-Nigerian artist Frida Orupabo. Orupabo’s dismemberment and reassembling of Black bodies through these works—particularly the bodies of black women—speaks to and criticizes the brutality with which Black people have been represented throughout art history. Her collages incorporate family photos with ethnographic, medical, and pop culture imagery to deconstruct the cultural process of colonialization, stereotyping, and othering which these images further, thereby pressing viewers to consider the position that they themselves hold in this process.
MORE IN CITY
Whitewaller New York is highlighting EN Japanese Brasserie—a lively West Village bar, restaurant, and music bar.
The Parisian hotspot Silencio, originally designed by David Lynch with an outpost in Ibiza, adds New York City to its roster.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Iconic Avedon: A Centennial Celebration of Richard Avedon
On view at Gagosian is “Iconic Avedon: A Centennial Celebration of Richard Avedon” (January 22-March 4) connecting the artist to Paris.
Ann Agee: Madonnas and Hand Warmers
P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021.
SUBSCRIBE TO MAGAZINE
THE WINTER EXPERIENCE ISSUE
2023
Subscribe
SUBSCRIBE TO NEWSLETTER
Go inside the worlds of Art, Fashion, Design and Lifestyle.
READ THIS NEXT
On view at Gagosian is “Iconic Avedon: A Centennial Celebration of Richard Avedon” (January 22-March 4) connecting the artist to Paris.
P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021.
On view at Gagosian is “Iconic Avedon: A Centennial Celebration of Richard Avedon” (January 22-March 4) connecting the artist to Paris.
P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021.