On view at Hamburger Bahnhof is Self Portrait as Clone of Jeanne D’Arc (2019), an installation by Bunny Rogers, addressing the complexities of youthful femininity. Rogers draws inspiration from characters in television series, video games and the internet. Through personal and pop-culture references, her work explores themes of identity, sensitivity and vulnerability, as well as friendship and marginalisation. Self Portrait as Clone of Jeanne D’Arc is a 15-part, large-format series, where the artist takes on the role of Joan of Arc’s alter ego, reimagining her character in the animation series Clone High. The works represent the artist in different everyday life situations and transform the exhibition space into an atmospheric stage filled with pop-culture references and emotions.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
“Presence: The Photography Collection of Judy Glickman Lauder”
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THE SPRING ARTIST ISSUE
2023
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