On view at Hamburger Banhof is “The Horse with Eye Blinders,’’ Paris-based artist Xinyi Cheng’s first institutional solo exhibition. In the exhibition, viewers will find around 30 paintings and 6 photographs—including some new works—often portraying male figures. Alongside individual portraits, the artist also paints her models interacting with each other, focusing on enigmatic actions, tender gestures, intimate moments exchanged between them. Cheng often surrounds the figures with monochromatic backgrounds, creating the impression that their bodies are emerging from the surface of the painting.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
“Presence: The Photography Collection of Judy Glickman Lauder”
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
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THE SPRING ARTIST ISSUE
2023
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.