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On view at Conduit Gallery is “Been on My Way,’’ Dallas-based artist Desireé Vaniecia’s first solo exhibition with the gallery.
December 5, 2020 - January 2, 2021
On view at Conduit Gallery is “Been on My Way,’’ Dallas-based artist Desireé Vaniecia’s first solo exhibition with the gallery. In the exhibition, viewers will find 5 large canvases portraying important female figures of Vaniecia’s life, alongside a series of smaller paintings, representing personal objects related to each of these women. Together, the works in “Been on My Way’’ reflect the artist’s personal journey through life and constitute the final step of her explorations of maternal influence and the representation of the black female form in popular culture. Although specific individuals and relationships are depicted in the paintings, Vaniecia chose to render them with simplified shapes and blocks of colours, allowing the viewer to interpret the works in their own way, by bringing together the universal and the personal. The artist uses painting as a means of honouring and comforting these women, following her desire to continually push legacy and family forward for future generations.
Naudline Pierre’s first solo museum exhibition, “What Could Be Has Not Yet Appeared,” is open at the Dallas Museum of Art until May 15, 2022.
Galleri Urbane’s “The Gift Edit(ion)” is a group exhibition of gallery artists, who are each presenting limited editions perfect for gifting.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.