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Evolving from a background in photography, Eve Fowler’s “Just Seated Beside The Meaning” unites language and art, creating a suite of works across mediums like neon, paint, and vinyl. In her practice, the Los Angeles-based artist focuses on the power of words, language, and cultural bias in the context of gender politics and queerness, often expanding to include creations like films, installations, and sound pieces. Fowler has been featured in past projects like LAND’s “The Manifest Destiny Billboard Project,” and is the author Anyone Telling Anything Is Telling That Thing and Hustlers.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.
Tomoo Gokita’s first North American museum exhibition, Dallas Contemporary is presenting “Get Down” through August 22.
Benjamin Terry’s third solo exhibition with Galleri Urbane, “Bits and Bobs” represents the evolution of the Dallas-based artist’s practice over the last year and a half.