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On view at the Liliana Bloch Gallery is Kathy Lovas’s new solo exhibition “CLOTHING CRIMES… and Misdemeanors.”
September 12, 2020 - October 10, 2020
On view at the Liliana Bloch Gallery is Kathy Lovas’s new solo exhibition “CLOTHING CRIMES… and Misdemeanors.” The show is inspired by the true-crime story of the artist’s stolen car in 2016. When the vehicle was recovered, Lovas found a mysterious pile of clothing, which she then photographed in her studio at life-size. The exhibition includes an alternative artist’s book containing 88 hand-printed photos via DASS inkjet transfer and a series of additional works dealing with clothing crimes. Working mainly with photography, sculpture and installation, Lovas’s projects are often based on historical narratives, memories from her early life and familiar subjects matter from around her home or studio.
Naudline Pierre’s first solo museum exhibition, “What Could Be Has Not Yet Appeared,” is open at the Dallas Museum of Art until May 15, 2022.
Galleri Urbane’s “The Gift Edit(ion)” is a group exhibition of gallery artists, who are each presenting limited editions perfect for gifting.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.