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The Power Station presents an exhibition of paintings by Mathew Cerletty, entitled “Full Length Mirror.’’
The Power Station presents an exhibition of paintings by Mathew Cerletty, entitled “Full Length Mirror.’’ In the exhibition, viewers will find a series of large-scaled paintings of idealized household objects—including a stuffed toy, a printer and a belt—isolated on single color backgrounds. These objects float in a purified space of monochrome color, leaving room for the viewer and questions of interpretation. “I paint them in the hope that they can evolve and remain interesting for different reasons over time,’’ explained the artist. Cerletty’s strategy is all the more compelling in the context of quarantine, where symbols take on new meanings.
Naudline Pierre’s first solo museum exhibition, “What Could Be Has Not Yet Appeared,” is open at the Dallas Museum of Art until May 15, 2022.
Galleri Urbane’s “The Gift Edit(ion)” is a group exhibition of gallery artists, who are each presenting limited editions perfect for gifting.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.