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Cris Worley Fine Arts presents “Wheel of Time,’’ an exhibition of works on paper by Robert Lansden.
October 10, 2020 - November 14, 2020
Cris Worley Fine Arts presents “Wheel of Time,’’ an exhibition of works on paper by Robert Lansden. Fascinated with time, the artist produced 8 watercolor drawings exploring the infinite and cyclical nature of time for the exhibition. The exhibited series is inspired by ancient symbols, such as the Pagan Wheel of the Year and the Buddhist Kalachakra Mandala, in which internal and external cycles are depicted by inner and outer rings. Bringing together obsessive mark-making and reflective discipline, Lansden’s synergetic drawings are full of geometric patterns. These motifs resemble digitally generated graphics, and contrast with the warmth produced by each hand-made stroke of watercolor, applied via calligraphy pen.
Naudline Pierre’s first solo museum exhibition, “What Could Be Has Not Yet Appeared,” is open at the Dallas Museum of Art until May 15, 2022.
Galleri Urbane’s “The Gift Edit(ion)” is a group exhibition of gallery artists, who are each presenting limited editions perfect for gifting.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.