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On view at Para Site is the group show “Garden of Six Seasons,” precursor to the Kathmandu Triennale 2077.
May 16, 2020 - November 15, 2020
On view at Para Site is the group show “Garden of Six Seasons,” precursor to the Kathmandu Triennale 2077. The exhibition is a product of the knowledge, conversations, mobility, and transcontinental intimacy that many artists without much privilege have been offered by the art world of the past. The very core of the exhibition is occupied by medical thinking, with its different cultural histories and understandings of where the disease nests, what is to be healed, what can be left untouched, and when to let go. On the gallery’s top floor, viewers will be drawn into an almost symmetrical architecture, where artworks connect our bodies, their insides, the networked maps of our social worlds, and the cosmos with its frightening designs. At the gallery’s temporary station in Sheung Wan, viewers will enter an artificial secret garden. Overall, “Garden of Six Seasons” explores the world as it stood until this recent season, with its struggles, visions, and passions. On view is work by Korakrit Arunanondchai & Alex Gvojic, Mae Clark, Has Liang, Liu Chang, Emma Kunz, Ashmina Ranjit, Citra Sasmita, So Wing Po, Trevor Yeung, and more.
Videotage’s “Foundation - a Web3 Media Art Festival” aims to prepare a new generation of artists for the evolving digital space.
Wang Tuo’s exhibition “The Second Interrogation” looks at cultural censorship in China through video, drawing, painting, and research material.
In “Deep Dive,” White Cube is presenting new paintings and lithographs by the British Nigerian artist Tunji Adeniyi-Jones.
The works on view in José Parlá’s “Phosphene” originate from the artist’s time spent in his hometown of Miami.
LGDR & Wei is sharing a show of works by Francesco Clemente that were all produced in 2023, titled “Winter Flowers”.
Maurice Benayoun’s project "Value of Values" is an ever-evolving neuro-design-based project existing on the blockchain.
Installed within the library of Hong Kong’s Asia Art Archive is a show examining artistic and collective learning models, entitled “The Collective School”.
Zheng Bo’s “Beech, Pine, Fern, Acacia” presents four of the artist’s “biophilia” films together in the same space for the first time ever.
In Tiffany Chung's "entangled traces, disremembered landscapes," cartography becomes art and geographies suggest all of the histories they’ve witnessed.