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"Laurent Grasso: Future Herbarium" is on view at Perrotin Hong Kong through April 24, 2021.
March 20, 2021 - April 24, 2021
"Laurent Grasso: Future Herbarium" is on view at Perrotin Hong Kong through April 24, 2021. Central to the exhibition is Grasso's recent film, Artificialis, his first made entirely of treated footage and produced with the Musée d'Orsay. The new series of work from which the show gets its name, features 19th-century-herbarium-style sculpted flowers, inspired by the flora that mutated after the Fukushima disaster in Japan. Some are painted, some are cast in bronze, others carved in marble. Also on view is Grasso's "Studies into the Past" series and Solar Wind video installation.
Videotage’s “Foundation - a Web3 Media Art Festival” aims to prepare a new generation of artists for the evolving digital space.
Wang Tuo’s exhibition “The Second Interrogation” looks at cultural censorship in China through video, drawing, painting, and research material.
In “Deep Dive,” White Cube is presenting new paintings and lithographs by the British Nigerian artist Tunji Adeniyi-Jones.
The works on view in José Parlá’s “Phosphene” originate from the artist’s time spent in his hometown of Miami.
LGDR & Wei is sharing a show of works by Francesco Clemente that were all produced in 2023, titled “Winter Flowers”.
Maurice Benayoun’s project "Value of Values" is an ever-evolving neuro-design-based project existing on the blockchain.
Installed within the library of Hong Kong’s Asia Art Archive is a show examining artistic and collective learning models, entitled “The Collective School”.
Zheng Bo’s “Beech, Pine, Fern, Acacia” presents four of the artist’s “biophilia” films together in the same space for the first time ever.
In Tiffany Chung's "entangled traces, disremembered landscapes," cartography becomes art and geographies suggest all of the histories they’ve witnessed.