Go inside the worlds of art, fashion, design, and lifestyle.
September 11, 2020 - October 31, 2020
Simon Lee Gallery presents an exhibition of recent works by Los Angeles-based artist Marnie Weber. Referencing folklore, fairytales, and myths deeply embedded in our collective memory, Weber creates dream-like works set in a realm unfixed in time. She creates uncanny worlds set between fantasy and reality, blending the carnivalesque, the bacchanalian, the mystical, and the absurd, thus inviting the viewer to explore the subconscious. Works on view include In Song of the Sea Witch, a theatrical new film in which a mysterious sea witch is threatened by discordant birds and Blooming Hollyhocks, one of Weber’s disorienting, mysterious and surreal collages. Exploring the loss of innocence, the community of living things, spiritualism, and the subconscious, the exhibition launches the viewer into a quaint, whimsical universe.
William Mackinnon’s first solo show in Hong Kong, "Modern Family," continues the artist's look at the form of the tree as a subject.
Sanford Biggers’s “The Extinction Agenda,” centers the artist’s acknowledgment of a debt to the intercultural communication of traditions and knowledge.
Through August 14, Para Site invites viewers to visit its group show “Minding the G(r)a(s)p,” which features work by 7 artists.
Koak’s debut solo show in Asia is an exhibition titled “The Driver” at Perrotin’s Hong Kong gallery, which is open through July 30.
Ben Brown Fine Arts’s first solo show of the artist Sean Scully presents seven new paintings representative of Scully’s abstract oeuvre.
William Kentridge's first solo show in Hong Kong, "Weigh All Tears" features new works concerned with how history shapes our present.
Presented at White Cube from May 24—September 3, Georg Baselitz’s “Sofabilder / Sofa Pictures” is a show of new and recent works.
Perrotin Hong Kong is pleased to present “Paradigm of Charcoal,” a solo exhibition from Korean artist Lee Bae on view through September 11.