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Bridget Riley’s “Past into Present” explores how the artist's practice references the past, looking at both the art of painting itself and her own work.
June 3, 2021 - October 2, 2021
Bridget Riley’s “Past into Present” combines a selection of works from the last two years with prior work to explore how the artist’s practice references the past, looking at both the art of painting itself and her own work. Open at David Zwirner’s Grafton Street location through October 2, viewers will find newer creations from her “Intervals” series and a continuation of the “Measure” paintings, which have been made using a palette of only three colors, off-orange, off-blue, and off-green, as well as work dating back to the 1960s, like Black to White Discs.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.
Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.
The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.