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“Dindga!” Is Dindga McCannon’s first solo exhibition in Europe, on view at Pippy Houldsworth Gallery in London from October 11—November 12.
October 11, 2022 - November 12, 2022
“Dindga!” Is Dindga McCannon’s first solo exhibition in Europe, on view at Pippy Houldsworth Gallery in London from October 11—November 12. Growing up in 1950s Harlem, the artist’s practice as it exists today is the product of a fierce scrutiny of the inequalities faced by Black women in America, her mother and grandmother’s instructions in needlework, and an upbringing that involved civil rights activism and involvement in the Weusi Artist Collective, and later, the founding of the collective Where We At Black Women Artists Inc., alongside names like Faith Ringgold and Kay Brown. This survey exhibition of McCannon’s practice highlights the artist’s community-minded ethos and varied use of mediums through works spanning the present day back to the 1960s, like the watercolor Smoking Man (1967), the 2022 sculptural Carnival, and a mixed media quilt titled Words Form the Threads of Our Experiences from 2015.
From October 12—December 23, Amy Sherald’s first-ever solo exhibition in Europe, "The World We Make," is on view at Hauser & Wirth in London.
The new works in Nathaniel Mary Quinn’s “SCENES” see the artist’s singular style of portraiture utilized in an exploration of film.
Teresita Fernández’s “Caribbean Cosmos” invites viewers to reflect on definitions of land and location in relation to violence and colonization.
Gagosian’s Grosvenor Hill gallery presents Mark Grotjahn's “Backcountry," named in reference to the artist's time spent in Colorado.
From October 11—November 12, Pace Gallery in London’s Hanover Square is presenting an exhibition of paintings by the late artist Sam Gilliam.
Presented by 180 Studios at 180 The Strand is a major video installation by Richard Mosse, shown in an exhibition with related photographs.
From September 23—December 23, Anne Imhof takes over the London gallery of Sprüth Magers with her exhibition “Avatar II”.
Secundino Hernández’s exhibition “time TIME” continues his exploration of a painting vocabulary focused on line, form, color, and gesture.