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Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
October 13, 2021 - November 27, 2021
Mitchell Anderson’s first solo exhibition in the United Kingdom, “Flower Paintings” will be on view through November 27 at Galerie Maria Bernheim. Exploring ideas of monochrome, the featured works have been made in reference to the works of other artists and painting practices. First and foremost, the show has been named for the famous series by Andy Warhol, though Anderson has opted to create monochromatic iterations of different flowers alluding to Warhol’s iconic hibiscus bloom. Viewers will also find direct references to names like Christopher Wool and Michel Majerus, as the artist appropriates familiar imagery in a commentary on the longstanding traditions of still life painting.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.
Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.
The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.
Drawing on the artist's personal memories and observations Wangari Mathenge's exhibition "You Are Here" looks at experiences of home.