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In an exhibition of new works, Nate Lowman has created a series surrounding the 2017 Las Vegas shooting, during which a gunman attacked civilians in attendance at the Route 91 Harvest Festival—an act of terror resulting in 59 deaths. Based on cursory photos taken at the scene of the crime, Lowman’s paintings depict uneasily mundane scenes that, at once, reveal and hide the violent context of his sources—via scenes like a neat hotel room with large firearms laid across the bed.
From October 12—December 23, Amy Sherald’s first-ever solo exhibition in Europe, "The World We Make," is on view at Hauser & Wirth in London.
The new works in Nathaniel Mary Quinn’s “SCENES” see the artist’s singular style of portraiture utilized in an exploration of film.
Teresita Fernández’s “Caribbean Cosmos” invites viewers to reflect on definitions of land and location in relation to violence and colonization.
Gagosian’s Grosvenor Hill gallery presents Mark Grotjahn's “Backcountry," named in reference to the artist's time spent in Colorado.
From October 11—November 12, Pace Gallery in London’s Hanover Square is presenting an exhibition of paintings by the late artist Sam Gilliam.
Presented by 180 Studios at 180 The Strand is a major video installation by Richard Mosse, shown in an exhibition with related photographs.
From September 23—December 23, Anne Imhof takes over the London gallery of Sprüth Magers with her exhibition “Avatar II”.
“Dindga!” Is Dindga McCannon’s first solo exhibition in Europe, on view at Pippy Houldsworth Gallery in London from October 11—November 12.