In an exhibition of new works, Nate Lowman has created a series surrounding the 2017 Las Vegas shooting, during which a gunman attacked civilians in attendance at the Route 91 Harvest Festival—an act of terror resulting in 59 deaths. Based on cursory photos taken at the scene of the crime, Lowman’s paintings depict uneasily mundane scenes that, at once, reveal and hide the violent context of his sources—via scenes like a neat hotel room with large firearms laid across the bed.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
“Presence: The Photography Collection of Judy Glickman Lauder”
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.