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Paris

FIAC 2021

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Pamela Rosenkranz, "House of Meme," installation view, Kunsthaus Bregenz, April 17–July 4, 2021; photo by Markus Tretter, courtesy of Kunsthaus Bregenz and Sprüth Magers.
Pamela Rosenkranz, "Healer (Anamazon)," 2021, Robot, Circuit Board, Control Units, Battery, LED Light, 3D Printed Head and Tail, Kirigami Skin, 52 × 2 3/8 inches; photo by Markus Tretter, © Pamela Rosenkranz, courtesy of Sprüth Magers.
Pamela Rosenkranz, "Anamazon (Serpentining)," 2021, Acrylic paint, Inkjet print, Plexiglas, 60 5/8 × 83 7/8 inches; © Pamela Rosenkranz, courtesy of Sprüth Magers
Pamela Rosenkranz, "I Wish I Could Cry Blood (All Small)," 2021, Acrylic paint, inkjet print, Plexiglas, 13 7/8 × 59 7/8 inches; © Pamela Rosenkranz, courtesy of Sprüth Magers.
London, Mayfair

Pamela Rosenkranz: Healer

Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.

October 8, 2021 - December 23, 2021

Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience. Noting the ever-evolving nature of humanity, Rosenkranz utilizes current technology and culture to look at the impact of evolution, art, technology, and neurology on the constant re-definition of what it means to be human. Visitors at the gallery and passersby will find he title work, Healer (Anamazon), viewable through the front facade of the gallery, where it presents as a robotic snake bathed in eerie green light, writhing in response to the electromagnetic fields created by viewer’s mobile devices.

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7A Grafton St, London W1S 4EL, UK
Oct 8 - Dec 23
Sprüth Magers
Pamela Rosenkranz: Healer
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.

Exhibitions

London, Mayfair |Exhibitions

Annina Roescheisen: Vibrational Strings

Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.

Mitchell Anderson: Flower Paintings

Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.

Mark Rothko 1968: Clearing Away

The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.

Ibrahim Mahama: Lazarus

Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.

George Condo: Ideals of the Unfound Truth

Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.

The EY Exhibition: The Making of Rodin

Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.

Please Touch: Marcel Duchamp and the Fetish

The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.

Wangari Mathenge: You Are Here

Drawing on the artist's personal memories and observations Wangari Mathenge's exhibition "You Are Here" looks at experiences of home.

Houseago | Rodin

Gagosian’s “Houseago | Rodin” creates a dialogue between new sculptural works by Thomas Houseago and Auguste Rodin’s historic bronze sculptures.

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