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Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
October 8, 2021 - December 23, 2021
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience. Noting the ever-evolving nature of humanity, Rosenkranz utilizes current technology and culture to look at the impact of evolution, art, technology, and neurology on the constant re-definition of what it means to be human. Visitors at the gallery and passersby will find he title work, Healer (Anamazon), viewable through the front facade of the gallery, where it presents as a robotic snake bathed in eerie green light, writhing in response to the electromagnetic fields created by viewer’s mobile devices.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.
Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.
The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.
Drawing on the artist's personal memories and observations Wangari Mathenge's exhibition "You Are Here" looks at experiences of home.