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Presented by 180 Studios at 180 The Strand is a major video installation by Richard Mosse, shown in an exhibition with related photographs.
October 12, 2022 - December 18, 2022
Presented by 180 Studios at 180 The Strand is the debut of a major video installation by Richard Mosse, shown in an exhibition with a suite of related large-scale photographs. Filmed in the Brazilian Amazon over the course of three years, Mosse’s Broken Spectre directs its spotlight on one of the most devastating yet ignored ecological crises in the world—the destruction of the Amazon rainforest. Through satellite data and imagery, poignant portraiture and landscapes, micro-views of the location’s flora, and clips featuring words from Indigenous locals—like a Yanomami woman filmed exclaiming, “You white people, see our reality. Open your minds. Don’t let us talk so gallantly and do nothing. White people! Tell your fathers and mothers. Explain to them.”—Mosse’s visceral composition leaves viewers wondering how saving the Amazon isn’t already a global priority.
From October 12—December 23, Amy Sherald’s first-ever solo exhibition in Europe, "The World We Make," is on view at Hauser & Wirth in London.
The new works in Nathaniel Mary Quinn’s “SCENES” see the artist’s singular style of portraiture utilized in an exploration of film.
Teresita Fernández’s “Caribbean Cosmos” invites viewers to reflect on definitions of land and location in relation to violence and colonization.
Gagosian’s Grosvenor Hill gallery presents Mark Grotjahn's “Backcountry," named in reference to the artist's time spent in Colorado.
From October 11—November 12, Pace Gallery in London’s Hanover Square is presenting an exhibition of paintings by the late artist Sam Gilliam.
From September 23—December 23, Anne Imhof takes over the London gallery of Sprüth Magers with her exhibition “Avatar II”.
“Dindga!” Is Dindga McCannon’s first solo exhibition in Europe, on view at Pippy Houldsworth Gallery in London from October 11—November 12.
Secundino Hernández’s exhibition “time TIME” continues his exploration of a painting vocabulary focused on line, form, color, and gesture.