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Sedrick Chisom’s first U.K. solo show, “Twenty Thousand Years of Fire and Snow” is a collection of drawings and paintings portraying a speculative future in post-apocalyptic America.
July 15, 2021 - August 20, 2021
Sedrick Chisom’s first U.K. solo show, “Twenty Thousand Years of Fire and Snow” will be on view at Pilar Corrias’s Eastcastle Street gallery through August 21. A collection of drawings and paintings portraying a speculative future in post-apocalyptic America, Chisom’s works tell an eerie tale where people of color have chosen to leave Earth. Remaining landslide, however, are two opposing groups of white people (depicted with imagery reminiscent fo American Civil War soldiers) who are left to grapple with the situation they have created for themselves. Following Afrofuturist traditions, Chisom’s narrative is one of science-fiction, but one that incorporating ideas informed by history. On view, Chisom’s eerie images depict the sky burning red around the unfamiliar terrain, which often includes appearances by recognizable characters like Medusa or the Angel Mornoni.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.
Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.
The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.