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"Amy Sherald: The Great American Fact" is the artist’s first solo West Coast exhibition. At the gallery's Los Angeles location, Sherald is debuting new paintings that continue her effort—to paint the things she wishes to see, depicting Black Americans in leisure. As American as apple pie (2020) shows a couple in front of a yellow house, drawing similarities to Grant Wood’s American Gothic (1930); An Ocean Away (2020) depicts two figures together in the dunes of a beach; and in A Midsummer Afternoon Dream (2020), a woman rests on a bicycle in front of a white picket fence and a sight sunflowers. These works, among others, underscore the identity of Sherald's subjects with the presence of visual cues and objects familiar to contemporary Americana.
Gabriela Ruiz’s “Futurition” takes viewers inside the mind of the artist through a series of sculptural paintings, video works, and soundscapes.
OCHI’s exhibition of Brian Wills debuts 12 new wall-hanging works that have been placed strategically throughout the gallery.
Raqib Shaw’s “Tales from an Urban Garden” comprises a series of works inspired by memories of his mother’s garden.
Honor Fraser Gallery’s “Digital Combines” centers Claudia Hart’s concept of the same name, featuring artworks by Hart and eight other artists.
Tori Wrånes utilizes her synesthesia to create physical works of art, exemplified in the exhibition "Mussel Tears" at Shulamit Nazarian.
Phyllida Barlow’s “glimpse” features new large-scale works responding to Hauser & Wirth’s home in the historic Globe Mills complex.
Hauser & Wirth is presenting its first exhibition of Gary Simmons titled "Remembering Tomorrow," on view through May 22, 2022.
“Big Heartedness, Be My Neighbor” spans the practice of the artist Pipilotti Rist from the 1980s to the present day.
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