On view at Jeffrey Deitch’s Los Angeles gallery is “Moodz,” an exhibition featuring 255 unique circular paintings of faces by Kenny Scharf. The characters depicted on Scharf’s multiple canvas reflect aspects of his own personality, from his aggressive energy and anger, to his exuberance and love of painting. The artist’s process is like a dance, as he uses his entire body to support his gesture. When he paints, his strokes follow the beat of the music in his headphones and he enters a zone where his mind and body merge. Scharf sees spray painting as the most direct way of creating an image. There is no possibility of correction or erasing and accidents lead to new ideas. As the artist says, “There is no lying with spray paint.”
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.