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In collaboration with The Huntington Library, the Hammer Museum presents “Made in L.A. 2020: a version,’’ showcasing online interventions and off-site projects.
In collaboration with The Huntington Library, the Hammer Museum presents “Made in L.A. 2020: a version,’’ showcasing online interventions and off-site projects by Larry Johnson and Khalil Joseph. For the exhibition, Johnson created new site-specific works, on view on 5 commercial billboards, each combining specific texts and visuals. The billboards are poetic and humorous interventions into space and local geography, and reflect their cultural and quotidian environment. Installed in satellite sites around the city, Joseph’s installation of BLKNWS® is a conceptual news program combining art, reporting, entrepreneurship and cultural critique. The two-channel video presentations of the project are on view predominantly in Black-owned businesses, such as barbershops, cafés, healthcare facilities, and more.
Gabriela Ruiz’s “Futurition” takes viewers inside the mind of the artist through a series of sculptural paintings, video works, and soundscapes.
OCHI’s exhibition of Brian Wills debuts 12 new wall-hanging works that have been placed strategically throughout the gallery.
Raqib Shaw’s “Tales from an Urban Garden” comprises a series of works inspired by memories of his mother’s garden.
Honor Fraser Gallery’s “Digital Combines” centers Claudia Hart’s concept of the same name, featuring artworks by Hart and eight other artists.
Tori Wrånes utilizes her synesthesia to create physical works of art, exemplified in the exhibition "Mussel Tears" at Shulamit Nazarian.
Phyllida Barlow’s “glimpse” features new large-scale works responding to Hauser & Wirth’s home in the historic Globe Mills complex.
Hauser & Wirth is presenting its first exhibition of Gary Simmons titled "Remembering Tomorrow," on view through May 22, 2022.