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“Above Below” is Sarah Rosalena Brady’s first solo presentation with Blum & Poe. The multi-racial Los Angeles-based artist’s work—which involves artificial intelligence, indigenous craft, and issues of decolonial posthumanism—examines climate change through ancient techniques and artificial neural networks. Power structures are debunked to reveal how human advancements like cartography, military mapping, and surveillance technology exploit minority groups and natural resources. These ideas are seen presented in the exhibition, specifically in a series of double-sided textiles made using a programmed Jacquard loom. Here, one pixel per thread weaves together satellite reconnaissance images that show planetary changes in water and climate over millions of years—captured from a circuit of neurons inside Earth.
Mariah Garnett's new body of work combines meditations on spirituality, mental health, and art making, simultaneously acknowledging her family’s complicity in structures of colonialism and cultural appropriation.
Sprüth Magers is currently presenting John Baldessari’s painting series, “The Space Between,” through September 11.
Regen Projects is participating in the inaugural edition of Gallery Weekend Los Angeles with “INHERENT FORM,” on view through August 1.
Raul Guerrero's "Fata Morgana" features three bodies of new and recent work following his exploration of his own ancestry and cultural environments.
Sean Raspet’s debut solo show in Los Angeles features three connected bodies of work created across the last several years that center carbon as their primary material.
Kandis Williams’s solo exhibition at Night Gallery highlights the artist’s performance and video work, Eurydice, which is named for the myth of Apollo's daughter of the same name.
Gallery Association Los Angeles presents the inaugural edition of Gallery Weekend L.A. from July 28 to August 1.
Hauser & Wirth’s Los Angeles space is presenting “In Focus: LA Artists,” featuring works by 12 acclaimed artists who call the city home.