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October 23, 2021 - December 14, 2021
In 2014, Mariana Telleria was commissioned by the state to paint the outside of Museo Municipal de Bellas Artes Juan B. Castagnino in black. The transformation of the museum, a cultural icon in Rosario, Argentina, was met with confusion and upheaval by the public. Telleria’s performance piece, done anonymously, brought up discussions about vandalism, distribution of funding, and destruction.
For "Siembra" at kurimanzutto, Telleria self-archived every reaction to her 2014 piece, including tabloids, discourses on social media, newspaper articles, op-eds, and reader commentaries. The material has been converted into a user-graphic device that visitors can use to explore the effects of the Museo Municipal painted over in black.
kurimanzutto will also be featured in Gallery Weekend Mexico, taking place from November 5—7.
Through April 9, 2022, Le Laboratoire is presenting an exhibition of the artist, graphic designer, and poet Alejandro Magallanes.
On view at Galería RGR, Ding Yi’s “Anomalous Galaxies” features 11 paintings from the artist’s ongoing “Appearance of Crosses” series.
Akwetey Orraca-Tetteh’s first solo show in Mexico, “Western Retreat” stems from the artist’s relocation to Mexico City in 2020.
Galerie Philia’s exhibition “Transátlantico” celebrates the abilities of design to transcend cultural, societal, and geographical boundaries.
Inaugurating the gallery space within OMR’s newly-opened ALGO—a venue located in cultural hub LAGO—is the exhibition “Form Follows Energy.”
In the exhibition "the homemaker and her domain, part III," Leonor Antunes examines the life and work of Léna Meyer-Berner.
Mitchell-Innes & Nash's show “Olvido, Sombra, Nada” features the artists Tiona Nekkia McClodden, Lucas Samaras, and Paul Mpagi Sepuya.
Josué Mejía's exhibition "First Scene: Entre caballos de fuerza y caballos de vapor" looks at the 1932 ballet by Carlos Chávez, Horse-Power.