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"Short-circuits" at Pirelli HangarBicocca is a retrospective of Chen Zhen's work, curated by Vicente Todoli.
October 15, 2020 - June 6, 2021
"Short-circuits" at Pirelli HangarBicocca is a retrospective of Chen Zhen's work, curated by Vicente Todoli. Over 20 large-scale installations are on view by the late artist, all made within the last decade of his life. This selection of seminal works showcases the artist's investigation of the material and spiritual world, the act of making art, and the process of healing. The immersive show brings together many works for the first time, across 5,500 square meters of the Navate and Cubo of Pirelli HangarBicocca. Highlights include Jue Chang, Dancing Body – Drumming Mind (The Last Song), (2000); Round Table (1995); and Fu Dao / Fu Dao, Upside-down Buddha / Arrival at Good Fortune (1997).
Nathalie Djurberg & Hans Berg's “The Soft Spot” transforms GióMarconi's gallery space with a new stop-motion video work and an enchanted garden habita.
Milan’s BUILDING gallery is presenting an exhibition by Leiko Ikemura from September 4—December 23, titled “Before Thunder, After Dark.”
Cardi Gallery Milan's “IRVING PENN” is a comprehensive overview of the practice of one of the most renowned photographers of the 20th century.
Fondazione Furla is presenting "Misfits," an exhibition of work by Nairy Baghramian, at the Galleria d'Arte Moderna in Milan.
Fondazione Prada’s “Sturm&Drang” is an exploration of the practices, experiences, and environments that come in turn with working in computer generated imagery (CGI).
The third installation in Francesco Arena’s trilogy of shows with Galleria Raffaella Cortese, “Terza mostra: tre cose” focuses on three separate works, presented in three separate spaces.
MASSIMODECARLO is presenting a site-specific exhibition by the artist Danh Vō from September 7—November 6, created within the Milan/Lombardia gallery during the days leading up to the show.
Simone Fattal’s “A breeze over the Mediterranean" follows the artist’s studies surrounding the inspiration provided by ancient Pompeian artifacts.
Filling the ground floor and the external room of the Fondazione ICA Milano is Michael Anastassiades’s “Cheerfully Optimistic About the Future.”