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Fondazione Prada's exhibition “K” surrounds three incomplete novels by Franz Kafka: Amerika, Der Prozess (The Trial), and Das Schloss (The Castle).
February 21, 2020 - October 25, 2020
Fondazione Prada's exhibition “K” surrounds three incomplete novels by Franz Kafka: Amerika, Der Prozess (The Trial), and Das Schloss (The Castle). The works were studied and explored by artist Martin Kippenberger, film director Orson Welles, and electronic music group Tangerine Dream. Kafka’s writings were published after his death between the years of 1925—1927. Comparable to the format of a triptych, the three-part exhibition offers an experience at a cultural crossroads combining historical perspectives with different fields of art, including Kippenberger’s installation The Happy End of Franz Kafka’s “Amerika”, Welles’s film The Trial, and Tangerine Dream’s musical album Franz Kafka The Castle.
Nathalie Djurberg & Hans Berg's “The Soft Spot” transforms GióMarconi's gallery space with a new stop-motion video work and an enchanted garden habita.
Milan’s BUILDING gallery is presenting an exhibition by Leiko Ikemura from September 4—December 23, titled “Before Thunder, After Dark.”
Cardi Gallery Milan's “IRVING PENN” is a comprehensive overview of the practice of one of the most renowned photographers of the 20th century.
Fondazione Furla is presenting "Misfits," an exhibition of work by Nairy Baghramian, at the Galleria d'Arte Moderna in Milan.
Fondazione Prada’s “Sturm&Drang” is an exploration of the practices, experiences, and environments that come in turn with working in computer generated imagery (CGI).
The third installation in Francesco Arena’s trilogy of shows with Galleria Raffaella Cortese, “Terza mostra: tre cose” focuses on three separate works, presented in three separate spaces.
MASSIMODECARLO is presenting a site-specific exhibition by the artist Danh Vō from September 7—November 6, created within the Milan/Lombardia gallery during the days leading up to the show.
Simone Fattal’s “A breeze over the Mediterranean" follows the artist’s studies surrounding the inspiration provided by ancient Pompeian artifacts.
Filling the ground floor and the external room of the Fondazione ICA Milano is Michael Anastassiades’s “Cheerfully Optimistic About the Future.”