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Paris

FIAC 2021

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Ann Agee, "Holy Madonna of the Girl Caul," 2019, red earthenware with colored slip, 22 1/4 x 9 1/2 x 7 3/4 in, courtesy to the artist and PPOW.
Ann Agee, "Hand Warmers (122)," 2018, Pigmented earthenware with white slip, 5 x 9 x 3 in, courtesy to the artist and PPOW.
Installation view of Ann Agee, "Hand Warmers," 2018, mixed media, dimensions variable, courtesy to the artist and PPOW.
Installation view of Ann Agee, "Hand Warmers," 2018, mixed media, dimensions variable (AGEE-226), courtesy to the artist and PPOW.
New York, Tribeca

Ann Agee: Madonnas and Hand Warmers

P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021.

June 18, 2021 - July 23, 2021

P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021. The exhibition includes over 100 unique works that form two elaborate series of aesthetically and materially diverse sculptures, all made from ceramics inspired by Italian folk pottery. Agee’s practice focuses on replicating objects by hand, a process that emulates mass production and is a delineation between fine art, design, and craft, histories of cultural appropriation and exchange, and women’s lived experiences.

Inspired by late-17th and early-18th century Italian folk salt cellars, Agee’s series “Madonnas of the Girl Child” depicts women and girls. Made from a variety of clays, modeled in myriad sizes, glazed in numerous patterns, and fired in multiple kilns and at various temperatures, these sculptures realistically or abstractly engage motifs of the divine infant. Each is accompanied by labels of “Agee Manufacturing Co.,” “Agee MFG,” or “Ann’s” which is a signature logo that dates to Agee’s earliest works.

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392 Broadway, New York, NY 10013, USA
Jun 18 - Jul 23
P·P·O·W
Ann Agee: Madonnas and Hand Warmers
P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021.

Exhibitions

New York, Upper East Side |Exhibitions

Off the Record

On view through September 27 at the Solomon R. Guggenheim Museum, “Off the Record” is a group exhibition challenging mainstream documentation.

Dave McKenzie: The Story I Tell Myself

Dave McKenzie's "The Story I Tell Myself" accompanies his performance commission for The Whitney, "Disturbing the View," putting context to the work through featuring artists who have informed his practice.

Andy Warhol: Photo Factory

Fotografiska New York’s “Photo Factory” presents more than 120 photographs by Andy Warhol ranging from iconic to never-before-seen.

Lynn Hershman Leeson: Twisted

Lynn Hershman Leeson’s exhibition “Twisted" features a compilation of drawing, sculpture, video, photography, and net-based works demonstrating the artist’s widespread oeuvre.

Robert Longo: I do fly / After summer merrily

In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking.

Alice Neel: The Early Years

David Zwirner is presenting an exhibition by the late artist Alice Neel, featuring paintings and works on paper from the earlier years of he

The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time

“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.

Kon Trubkovich: The Antepenultimate End

Through October 23, Gagosian’s Park Avenue gallery is presenting an exhibition of new paintings by the artist Kon Trubkovich, titled “The Antepenultimate End.”

Avery Singer: Reality Ender

Avery Singer's "Reality Ender" features two series of new, large-scale paintings made through a combination of 3D computer modeling software and traditional painting.

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