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"Born in Flames: Feminist Futures" is on view at the Bronx Museum of Arts through September 12.
April 28, 2021 - September 12, 2021
In celebration of its 50th anniversary, the Bronx Museum of Arts presents “Born in Flames: Feminist Futures,” curated by Jasmine Wahi, Holly Block Curator of Social Justice. From April 28 to September 12, this group exhibition of work by 14 femme-identified and non-binary artists discusses current oppression and ways to create a just and equal environment in the future. Participating artists include Caitlin Cherry, Chitra Ganesh, Clarissa Tossin, Huma Bhaba, Firelei Báez, Lizzie Borden, María Berrío, Pamela Phatsimo Sunstrum, Rose B. Simpson, Sin Wai Kin (fka Victoria Sin), Saya Woolfalk, Shoshanna Weinberger, Tourmaline, and Wangechi Mutu.
On view through September 27 at the Solomon R. Guggenheim Museum, “Off the Record” is a group exhibition challenging mainstream documentation.
Dave McKenzie's "The Story I Tell Myself" accompanies his performance commission for The Whitney, "Disturbing the View," putting context to the work through featuring artists who have informed his practice.
Fotografiska New York’s “Photo Factory” presents more than 120 photographs by Andy Warhol ranging from iconic to never-before-seen.
Lynn Hershman Leeson’s exhibition “Twisted" features a compilation of drawing, sculpture, video, photography, and net-based works demonstrating the artist’s widespread oeuvre.
In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking.
David Zwirner is presenting an exhibition by the late artist Alice Neel, featuring paintings and works on paper from the earlier years of he
“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.
Through October 23, Gagosian’s Park Avenue gallery is presenting an exhibition of new paintings by the artist Kon Trubkovich, titled “The Antepenultimate End.”