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Last week in New York, Postmasters opened its debut presentation of the Chinese multimedia artist Chando Ao, “My I,” on view through January 22, 2022. Titled for Douglas Hofstadter and Daniel Dennett’s publication The Mind’s I, reflecting on the self and the soul, the show features a landscape of tools created to activate the viewer’s senses and connect with their inner “I.” Through interactions with the works, Ao helps his viewers to gain a higher awareness of their “I” when faced with objects like the floor-to-ceiling pipes of his Pole Chairs, a pair of robotic dogs, or their reflections imagined digitally in the three Mirror works.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
Go inside the worlds of art, fashion, design, and lifestyle.