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Last week in New York, Postmasters opened its debut presentation of the Chinese multimedia artist Chando Ao, “My I,” on view through January 22, 2022. Titled for Douglas Hofstadter and Daniel Dennett’s publication The Mind’s I, reflecting on the self and the soul, the show features a landscape of tools created to activate the viewer’s senses and connect with their inner “I.” Through interactions with the works, Ao helps his viewers to gain a higher awareness of their “I” when faced with objects like the floor-to-ceiling pipes of his Pole Chairs, a pair of robotic dogs, or their reflections imagined digitally in the three Mirror works.
An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.
The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.
Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."
In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.
52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.
Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.