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Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
September 8, 2022 - October 29, 2022
The most recent products of Jenny Holzer’s language-based creative practice can be seen at Hauser & Wirth’s New York gallery from September 8—October 29 in an exhibition titled “DEMENTED WORDS.” Examining our experiences in areas like power, joy, violence, despair, and idealism, to name a few, viewers will find Holzer’s featured works dealing with the present moment, highlighting some of the absurdities in our current and recent political climate. Encompassed in the show is the central hanging WTF, in which an electronic sign laden with quotes from Donald Trump and the leader of the QAnon conspiracy swings to the erratic rhythm that the words appeared online, as well as multimedia paintings, and the artist’s stamped metal “curse tablets,” which stemmed from the Roman tradition of seeking revenge through inscribed lead tablets.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
A solo exhibition of works by Hank Willis Thomas is being presented by Jack Shainman Gallery in New York from September 8—October 29.
“Hear Me Now: The Black Potters of Old Edgefield, South Carolina” offers a new perspective on a horrific period in American history.