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"MelonMelonTangerine" is Jonathan Trayte's second solo show with Friedman Benda in New York. The British artist was inspired by a recent road trip around the American West. Created while in isolation during the pandemic, Trayte references the Western landscape like Joshua trees, lichen, cacti, prickly pears, and sedimentary rock formations with his well-liked tongue-in-cheek approach. Meant to feel like an otherworldly botanical garden, lighting, seating, tables, chandelier, and sculpture are full of vivid color, texture, material, and shape. “Color is so important as a means of persuasion, persuading people to consume in particular kinds of ways, or in appealing to specific social groups. I create synthetic painted veneers and compositions of materials that either reflect or distort this language; they're like skins of paint or textures that create a kind of chameleon appearance,” said Trayte.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.