Newsletter
Go inside the worlds of art, fashion, design, and lifestyle.
Louise Bonnet’s first solo exhibition with Gagosian, “The Hours,” makes its debut at the gallery’s Park Avenue location. In a suite of new oil paintings, the artist has created nightmarish depictions of everyday routines, reflecting the current state of crisis during a global pandemic using caricature-like figures without any faces. Influenced by medieval manuscripts like Très Riches Heures du Duc de Berry (a book of hours containing a collection of prayers), the works allude to European art and Christian imagery—like Calvary with Potato, in which a wave of blood gushes from a finger with a tiny cut; and Visitation, where one figure hovers over a bed, looking down on an almost-identical person.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
Go inside the worlds of art, fashion, design, and lifestyle.