Louise Bonnet’s first solo exhibition with Gagosian, “The Hours,” makes its debut at the gallery’s Park Avenue location. In a suite of new oil paintings, the artist has created nightmarish depictions of everyday routines, reflecting the current state of crisis during a global pandemic using caricature-like figures without any faces. Influenced by medieval manuscripts like Très Riches Heures du Duc de Berry (a book of hours containing a collection of prayers), the works allude to European art and Christian imagery—like Calvary with Potato, in which a wave of blood gushes from a finger with a tiny cut; and Visitation, where one figure hovers over a bed, looking down on an almost-identical person.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
“Presence: The Photography Collection of Judy Glickman Lauder”
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
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THE SPRING ARTIST ISSUE
2023
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.