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Louise Bonnet’s first solo exhibition with Gagosian, “The Hours,” makes its debut at the gallery’s Park Avenue location. In a suite of new oil paintings, the artist has created nightmarish depictions of everyday routines, reflecting the current state of crisis during a global pandemic using caricature-like figures without any faces. Influenced by medieval manuscripts like Très Riches Heures du Duc de Berry (a book of hours containing a collection of prayers), the works allude to European art and Christian imagery—like Calvary with Potato, in which a wave of blood gushes from a finger with a tiny cut; and Visitation, where one figure hovers over a bed, looking down on an almost-identical person.
An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.
The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.
Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."
In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.
52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.
Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.