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Louise Bonnet’s first solo exhibition with Gagosian, “The Hours,” makes its debut at the gallery’s Park Avenue location. In a suite of new oil paintings, the artist has created nightmarish depictions of everyday routines, reflecting the current state of crisis during a global pandemic using caricature-like figures without any faces. Influenced by medieval manuscripts like Très Riches Heures du Duc de Berry (a book of hours containing a collection of prayers), the works allude to European art and Christian imagery—like Calvary with Potato, in which a wave of blood gushes from a finger with a tiny cut; and Visitation, where one figure hovers over a bed, looking down on an almost-identical person.
Wexler Gallery debuted the exhibition “Studio K.O.S.: The Continuing Legacy of Tim Rollins and Kids of Survival (Selected works from 1987—2020)” at its Philadelphia and New York locations.
Paul Anthony Smith's "Tradewinds" features a series of the artist's latest picotage on pigment prints, exploring his own Caribbean lineage and the legacies that come with it.
Titled as a playful reference to himself as well as the Egyptian city, Alejandro Cardenas’s “ALEXANDRIA” features the artist’s most recent series of paintings and sculptures.
"Better a Cruel Truth Than a Comfortable Delusion" at Denny Dimin Gallery features a new body of work by Amir H. Fallah.
Caleb Hahne’s “Just As I Am” exhibition is currently on view at 1969 Gallery in New York through February 27, 2021.
Gladstone Gallery is presenting Shirin Neshat’s “Land of Dreams," a two-channel film installation and a series of more than one hundred photographs
Art Production Fund’s “Art in Focus” program is starting the year with a sense of optimism and beauty with a multi-faceted installation by Hiba Schahbaz at Rockefeller Center in New York
Hugo McCloud’s solo exhibition “Burdened” features new works created in the artist’s studio in Mexico during the past nine months spent in isolation.