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Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
September 10, 2022 - October 15, 2022
Igniting the senses of her viewers, Lucy Bull’s visionary abstractions toy with space, texture, and gesture through the artist’s potent palette of colors and effectual markings and brushstrokes. On view at David Kordansky, the artist’s first solo exhibition in New York, “Piper,” is open from September 10—October 15, where Bull is introducing a new series of painted canvases. Leaving out an imposed narrative and opting instead to allow her viewers to create their own by association, the show features compositions that allow the scale to impact the viewing experience—like the 84 x 68 inches tie-dye-reminiscent Criss and the work titled Key, which appears as though it could hold some mystical horizon within its 54 x 94 1/4-inches of oil paint on linen.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
A solo exhibition of works by Hank Willis Thomas is being presented by Jack Shainman Gallery in New York from September 8—October 29.
“Hear Me Now: The Black Potters of Old Edgefield, South Carolina” offers a new perspective on a horrific period in American history.