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Lynn Hershman Leeson’s exhibition “Twisted" features a compilation of drawing, sculpture, video, photography, and net-based works demonstrating the artist’s widespread oeuvre.
June 30, 2021 - October 3, 2021
On view at the New Museum through October 3 is Lynn Hershman Leeson’s exhibition “Twisted.” A compilation of drawing, sculpture, video, photography, and net-based works demonstrating the artist’s widespread oeuvre, the presentation (named for the twisted strands of a double helix of DNA) features works dating from the 1960s to the present, which look at ideas of identity construction, transmutation, and the cyborg self. Viewers can expect to find works like pieces from her ongoing Water Women series, the 1970s project Roberta Breitmore, her recent large-scale multimedia installation, The Infinity Engine, and the 2021 commission with Harvard University’s Wyss Institute, titled Twisted Gravity, which incorporates new water purifying technologies.
On view through September 27 at the Solomon R. Guggenheim Museum, “Off the Record” is a group exhibition challenging mainstream documentation.
Dave McKenzie's "The Story I Tell Myself" accompanies his performance commission for The Whitney, "Disturbing the View," putting context to the work through featuring artists who have informed his practice.
Fotografiska New York’s “Photo Factory” presents more than 120 photographs by Andy Warhol ranging from iconic to never-before-seen.
In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking.
David Zwirner is presenting an exhibition by the late artist Alice Neel, featuring paintings and works on paper from the earlier years of he
“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.
Through October 23, Gagosian’s Park Avenue gallery is presenting an exhibition of new paintings by the artist Kon Trubkovich, titled “The Antepenultimate End.”
Avery Singer's "Reality Ender" features two series of new, large-scale paintings made through a combination of 3D computer modeling software and traditional painting.