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On view at its West 20th Street location, Jack Shainman’s presentation of Odili Donald Odita offers musings on the relationship between figuration and abstraction through a series of colorful works featuring the repetition of geometric shapes and forms. Ultimately a commentary on self-reflection, “Mirror” follows the concept that the only face you will never really see is your own, therefore, a self-portrait must be abstract. Highlighting that this is a time where Donald Trump resides in the White House, Odita asks his viewers to face the challenging task of examining the thoughts and actions that have brought us to this moment.
Sharif Bey's current exhibition at Albertz Benda in New York City, “Revelations in Power,” features juxtaposition of elements like historical and contemporary or functional and sculptural begin to catch the eye.
Wexler Gallery debuted the exhibition “Studio K.O.S.: The Continuing Legacy of Tim Rollins and Kids of Survival (Selected works from 1987—2020)” at its Philadelphia and New York locations.
Paul Anthony Smith's "Tradewinds" features a series of the artist's latest picotage on pigment prints, exploring his own Caribbean lineage and the legacies that come with it.
Titled as a playful reference to himself as well as the Egyptian city, Alejandro Cardenas’s “ALEXANDRIA” features the artist’s most recent series of paintings and sculptures.
"Better a Cruel Truth Than a Comfortable Delusion" at Denny Dimin Gallery features a new body of work by Amir H. Fallah.
Caleb Hahne’s “Just As I Am” exhibition is currently on view at 1969 Gallery in New York through February 27, 2021.
Gladstone Gallery is presenting Shirin Neshat’s “Land of Dreams," a two-channel film installation and a series of more than one hundred photographs
Art Production Fund’s “Art in Focus” program is starting the year with a sense of optimism and beauty with a multi-faceted installation by Hiba Schahbaz at Rockefeller Center in New York