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On view at its West 20th Street location, Jack Shainman’s presentation of Odili Donald Odita offers musings on the relationship between figuration and abstraction through a series of colorful works featuring the repetition of geometric shapes and forms. Ultimately a commentary on self-reflection, “Mirror” follows the concept that the only face you will never really see is your own, therefore, a self-portrait must be abstract. Highlighting that this is a time where Donald Trump resides in the White House, Odita asks his viewers to face the challenging task of examining the thoughts and actions that have brought us to this moment.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
Go inside the worlds of art, fashion, design, and lifestyle.