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Patrick Kelly: Runway of Love

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Ruth Asawa, "Untitled (S.633(a-c), Trio of Hanging Reversible, Open-Window Form Sculptures)," c. 1956; Private Collection © 2021 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York, courtesy of David Zwirner.
Ruth Asawa, "Untitled (S.237, Hanging Six-Lobed, Interlocking Continuous Form)," c. 1958; Private Collection © 2021 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York, courtesy of David Zwirner.
Ruth Asawa, "Untitled (SF.031, Red Meander on Pink)," c. 1957-1959; Private Collection © 2021 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York, courtesy of David Zwirner.
Ruth Asawa, "Untitled (S.055, Hanging Asymmetrical Nine Interlocking Bubbles)," c. 1955; Private Collection © 2021 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York, courtesy of David Zwirner.
New York, Chelsea

Ruth Asawa: All Is Possible

At David Zwirner’s 537 West 20th Street location, the gallery is presenting an exhibition of the late artist Ruth Asawa, titled “All Is Possible.”

November 4, 2021 - December 18, 2021

At David Zwirner’s 537 West 20th Street location, the gallery is presenting an exhibition of the late artist Ruth Asawa, titled “All Is Possible.” Open through December 18, Helen Molesworth has organized an environment where Asawa’s well known looped-wire sculptures exist within a landscape of the artist’s drawings and less common sculptural forms. One of the most expansive looks at Asawa’s work to date, viewers will experience aspects of her practice that have gone unrecognized—seen through a selection of artworks including her everyday still lives, the “open-window” forms from the 1960s, and drawings featuring the artist’s “meander” motif.

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537 W 20th St, New York, NY 10011, USA
Nov 4 - Dec 18
David Zwirner
Ruth Asawa: All Is Possible
At David Zwirner’s 537 West 20th Street location, the gallery is presenting an exhibition of the late artist Ruth Asawa, titled “All Is Possible.”

Exhibitions

New York, Lower East Side |Exhibitions

Sara Mejia Kriendler

Sara Mejia Kriendler's "Mother's Milk" is a landscape representative of a spiritual body, used to look at ideas of nurture, nourishment, and creation.

Pat Phillips: Consumer Reports

In "Consumer Reports,” Pat Phillips navigates the realities and social dynamics of consumer America and our relationship to material goods.

Ruby Neri: Leveled

Ruby Neri’s second solo presentation at Salon 94, “Leveled” features a selection of new paintings and sculptures.

Betty Woodman: House of the South

“House of the South” is an exhibition of the late artist Betty Woodman, featuring her 1996 installation of the same name.

Before Yesterday We Could Fly: An Afrofuturist Period Room

“Before Yesterday We Could Fly: An Afrofuturist Period Room” is a presentation honoring the historic Seneca Village, destroyed to complete Central Park.

Xavier Veilhan: Autofocus

Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years, replacing them with smooth, edgeless sculptural forms.

New Museum Triennial: Soft Water Hard Stone

New Museum’s Triennial “Soft Water Hard Stone” features works centering states of transformation and our relationship with the natural world.

Hilma af Klint: Tree of Knowledge

“Tree of Knowledge” is an exhibition of rare works centered around Hilma af Klint’s series on paper, which bears the same name.

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