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The artist Suzan Frecon paints for the activity of painting, and not to make pictures for people to look at. Frecon has made a new series of oil paintings putting color and special relationships at the forefront, following her practice of creating art meant to be experienced, opposed to observed. The works on view include enveloping creations like a mixture of matte and glossy juxtaposing hues called stone cathedral and the olive and blue siena maria.
An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.
The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.
Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."
In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.
52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.
Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.