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“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.
May 14, 2021 - March 20, 2022
“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake, named for the aeronautical term for the current left by a powerful object. Featuring works from the museum’s own collection of contemporary art, the show highlights artists of color (including names like Tschabalala Self, Arthur Jafa, Simone Lee, and Mel Chin), holding space and validity for all of the feelings experienced over the course of last year—grief, fear, despair, joy, determination, anger, isolation, vulnerability, and joy—through an exploration of the placement and displacement of power seen today and throughout America’s history. On view at The Brooklyn Museum through March 20, 2022, the exhibition is accompanied by a commission on the museum’s facade by Nick Cave, titled Truth Be Told.
An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.
The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.
Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."
In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.
52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.
Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.