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Art Basel 2021

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Installation view of "The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time," courtesy of The Brooklyn Museum.
Installation view of "The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time," courtesy of The Brooklyn Museum.
Installation view of "The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time," courtesy of The Brooklyn Museum.
New York, Crown Heights

The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time

“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.

May 14, 2021 - March 20, 2022

“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake, named for the aeronautical term for the current left by a powerful object. Featuring works from the museum’s own collection of contemporary art, the show highlights artists of color (including names like Tschabalala Self, Arthur Jafa, Simone Lee, and Mel Chin), holding space and validity for all of the feelings experienced over the course of last year—grief, fear, despair, joy, determination, anger, isolation, vulnerability, and joy—through an exploration of the placement and displacement of power seen today and throughout America’s history. On view at The Brooklyn Museum through March 20, 2022, the exhibition is accompanied by a commission on the museum’s facade by Nick Cave, titled Truth Be Told.

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200 Eastern Pkwy, Brooklyn, NY 11238, USA
May 14 - Mar 20
Brooklyn Museum
The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time
“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.

Exhibitions

New York, Upper East Side |Exhibitions

Off the Record

On view through September 27 at the Solomon R. Guggenheim Museum, “Off the Record” is a group exhibition challenging mainstream documentation.

Dave McKenzie: The Story I Tell Myself

Dave McKenzie's "The Story I Tell Myself" accompanies his performance commission for The Whitney, "Disturbing the View," putting context to the work through featuring artists who have informed his practice.

Andy Warhol: Photo Factory

Fotografiska New York’s “Photo Factory” presents more than 120 photographs by Andy Warhol ranging from iconic to never-before-seen.

Lynn Hershman Leeson: Twisted

Lynn Hershman Leeson’s exhibition “Twisted" features a compilation of drawing, sculpture, video, photography, and net-based works demonstrating the artist’s widespread oeuvre.

Robert Longo: I do fly / After summer merrily

In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking.

Alice Neel: The Early Years

David Zwirner is presenting an exhibition by the late artist Alice Neel, featuring paintings and works on paper from the earlier years of he

Kon Trubkovich: The Antepenultimate End

Through October 23, Gagosian’s Park Avenue gallery is presenting an exhibition of new paintings by the artist Kon Trubkovich, titled “The Antepenultimate End.”

Avery Singer: Reality Ender

Avery Singer's "Reality Ender" features two series of new, large-scale paintings made through a combination of 3D computer modeling software and traditional painting.

Recovery

P·P·O·W’s group exhibition “Recovery” features the work of 12 artists like Faith Wilding, Dread Scott, Chiffon Thomas, Carlos Motta, and Harry Gould Harvey IV.

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