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Titus Kaphar’s “From a Tropical Space” at Gagosian features the artist’s latest series of oil paintings, which depict vibrantly surreal scenes pertaining to current times. The large-scale works include creations like The distance between what we have and what we want and the exhibition’s title painting, both featuring images of Black mothers going about daily tasks (like waiting for the bus or walking down the street) with haunting cutouts where their children should be. Combining techniques like cutting, erasing, and shredding with mediums like painting, sculpture, and installation, Kaphar utilizes his practice to reexamine visual representation in Western art and rewrite disputed histories through a lens of cultural empowerment.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
Go inside the worlds of art, fashion, design, and lifestyle.