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Dimoregallery: Orrizzonti


Go inside the worlds of art, fashion, design, and lifestyle.

Ellen Gallagher, "Ecstatic Draught of Fishes," 2022, 89 3/4 x 118 1/8 in., oil pigment, palladium leaf and paper on canvas; courtesy of the artist, Gagosian, and Hauser and Wirth.
Harold Ancart, "The Guiding Light," 2021, 99 1/2 x 137 1/2 in., oil stick and graphite pencil on canvas, artist's frame; courtesy of the artist.
Pao Houa Her, "Untitled," 2019, 52.5 x 42 in., from the series "The Imaginative Landscape," inkjet print; courtesy of the artist and Bockley Gallery, Minneapolis.
Installation view of "Whitney Biennial 2022: Quiet as It's Kept," photo by Ron Amstutz.
Installation view of "Whitney Biennial 2022: Quiet as It’s Kept," photo by Ron Amstutz, courtesy of artist Charles Ray.
Installation view of "Whitney Biennial 2022: Quiet as It’s Kept," courtesy of Alia Farid.
New York, Meatpacking District

Whitney Biennial 2022: Quiet as It’s Kept

April 6, 2022 - September 5, 2022

“Whitney Biennial 2022: Quiet as It’s Kept,” in the works since 2019, is currently on view at the Whitney Museum of American Art through September 5. The impressive 80th edition, curated by the resilient team of Adrienne Edwards and David Breslin, and presented by Tiffany & Co., echoes and reshapes the biennial put into motion in 1932. In a dynamic presentation, unprecedented in its form and liberated spirit, 63 artists—including Yto Barrada, Leidy Churchman, Matt Connors, Aria Dean, Alia Farid, Ellen Gallagher, Alfredo Jaar, Na Mira, Pao Houa Her, Charles Ray, Sable Elyse Smith, and Andrew Roberts—and collectives have been selected by the curators for the long-running series of special exhibitions and public programs. The event will engage the community with rich public programs: conversations, tours, workshops, and readings explore and expand upon the multifaceted exhibitions on display. 

Curators Edwards and Breslin noted, “Rather than proposing a unified theme, we pursue a series of hunches throughout the exhibition: that abstraction demonstrates a tremendous capacity to create, share, and, sometimes withhold, meaning; that research-driven conceptual art can combine the lushness of ideas and materiality; that personal narratives sifted through political, literary, and pop cultures can address larger social frameworks; that artworks can complicate what ‘American’ means by addressing the country’s physical and psychological boundaries; and that our ‘now’ can be reimagined by engaging with under-recognized artistic models and artists we’ve lost.”

Whitney Museum of American Art, Gansevoort Street, New York, NY, USA
Apr 6 - Sep 5
The Whitney Museum of American Art
Whitney Biennial 2022: Quiet as It’s Kept


New York, Upper East Side |Exhibitions

Marina Adams: What Are You Listening To?

An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.

In America: An Anthology of Fashion

The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.

Takashi Murakami: An Arrow through History

Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."

Sasha Gordon: Hands Of Others

In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.

Nora Turato: govern me harder

52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.

Adam Silverman: Marks and Markers

Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.

Fred Sandback

David Zwirner’s gallery at 34 East 69th Street offers an intimate setting for an exhibition of the artist Fred Sandback, on view through May 21.

Robert Rauschenberg: Venetians and Early Egyptians, 1972—1974

At Gladstone Gallery's Chelsea galleries is a dual presentation of Robert Rauschenberg, titled “Venetians and Early Egyptians, 1972—1974.”

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