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New York

Lucy Bull: Piper

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Exhibition view of "Xavier Veilhan: Autofocus" at Perrotin New York, 2021, photo by Guillaume Ziccarelli, © Veilhan / ADAGP, 2021, courtesy of the artist and Perrotin.
Exhibition view of "Xavier Veilhan: Autofocus" at Perrotin New York, 2021, photo by Guillaume Ziccarelli, © Veilhan / ADAGP, 2021, courtesy of the artist and Perrotin.
Xavier Veilhan, "Le Mobile n°2," 2021, Composite mineral mortar, polyester resin, fiberglass, Birch plywood, stainless steel, cotton, 153 9/16 inches, Ø 137 13/16 inches; photo by Guillaume Ziccarelli, © Veilhan / ADAGP, 2021, courtesy of the artist and Perrotin.
Xavier Veilhan, "Violeta," 2021, Composite mineral mortar, polyurethane varnish, sculpture: 87 1/16 x 34 1/4 x 37 13/16 inches, pedestal: 39 3/8 x 39 3/8 x 39 3/8 inches; photo by Guillaume Ziccarelli, © Veilhan / ADAGP, 2021, courtesy of the artist and Perrotin.
Portrait of Xavier Veilhan, photo by Guillaume Ziccarelli, © Veilhan / ADAGP, 2021, courtesy of Perrotin.
New York, Lower East Side

Xavier Veilhan: Autofocus

Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years, replacing them with smooth, edgeless sculptural forms.

November 3, 2021 - December 23, 2021

Open at Perrotin through December 23, Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years. Working across mediums like photography, sculpture, installation, performance, and more, the unifying theme across Veilhan’s practice is his interest in the social aspects of artworks, and the ways art makes viewers aware of the space around them. Visitors at the gallery will find a series of mobiles, suspended from the ceiling, as well as Veilhan’s new faceless human sculptural forms, which appear ghostly due to their smooth, edgeless surfaces.

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130 Orchard St, New York, NY 10002, USA
Nov 3 - Dec 23
Perrotin
Xavier Veilhan: Autofocus
Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years, replacing them with smooth, edgeless sculptural forms.

Exhibitions

New York, David Zwirner |Exhibitions

Cataclysm: The 1972 Diane Arbus Retrospective Revisited

David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”

Andro Wekua

An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.

Christina Quarles: In 24 Days tha Sunll Set at 7pm

In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.

Anna-Eva Bergman: Revelation

The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.

Lucy Bull: Piper

Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.

Jenny Holzer: DEMENTED WORDS

Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”

nendo Sees Kyoto

Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.

vanessa german: Sad Rapper

vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.

Hank Willis Thomas

A solo exhibition of works by Hank Willis Thomas is being presented by Jack Shainman Gallery in New York from September 8—October 29.

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