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Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years, replacing them with smooth, edgeless sculptural forms.
November 3, 2021 - December 23, 2021
Open at Perrotin through December 23, Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years. Working across mediums like photography, sculpture, installation, performance, and more, the unifying theme across Veilhan’s practice is his interest in the social aspects of artworks, and the ways art makes viewers aware of the space around them. Visitors at the gallery will find a series of mobiles, suspended from the ceiling, as well as Veilhan’s new faceless human sculptural forms, which appear ghostly due to their smooth, edgeless surfaces.
Sara Mejia Kriendler's "Mother's Milk" is a landscape representative of a spiritual body, used to look at ideas of nurture, nourishment, and creation.
In "Consumer Reports,” Pat Phillips navigates the realities and social dynamics of consumer America and our relationship to material goods.
Ruby Neri’s second solo presentation at Salon 94, “Leveled” features a selection of new paintings and sculptures.
“House of the South” is an exhibition of the late artist Betty Woodman, featuring her 1996 installation of the same name.
“Before Yesterday We Could Fly: An Afrofuturist Period Room” is a presentation honoring the historic Seneca Village, destroyed to complete Central Park.
New Museum’s Triennial “Soft Water Hard Stone” features works centering states of transformation and our relationship with the natural world.
“Tree of Knowledge” is an exhibition of rare works centered around Hilma af Klint’s series on paper, which bears the same name.