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Anselm Kiefer, "die sieben Schalen des Zorns" (The Seven Bowls of Wrath), 2019–2020, emulsion, oil, acrylic, shellac, straw, and gold leaf on canvas, 470 x 840 cm, photo by Georges Poncet, © Anselm Kiefer, courtesy of Gagosian.
Anselm Kiefer, "Cornfield with Scythe - for V. v. Gogh” (“Kornfeld mit Schnitter - für V. v. Gogh”) (detail), 2020, photo by George Poncet, © Anselm Kiefer, Courtesy of Gagosian.
Portrait by Manuela Lucà-Dazio, 2019, © Anselm Kiefer, courtesy of Gagosian.
Paris, Le Bourget

Anselm Kiefer: Field of the Cloth of Gold

Gagosian is presenting "Anselm Kiefer: Field of the Cloth of Gold" at its Le Bourget location. On view are four new monumental paintings, completed by the artist over the past two years.

February 7, 2021 - March 28, 2021

Gagosian is presenting "Anselm Kiefer: Field of the Cloth of Gold" at its Le Bourget location. On view are four new monumental paintings, completed by the artist over the past two years. The exhibition’s title refers to the 16th-century summit between France and England, but as the artist told us recently, the allusion should not be read into too much. In Ein Wort von Sensen gesprochen (One Word Spoken by Scythes, 2019–20), an endless field of golden wheat glows against a setting sun, the horizon punctuated by a dozen scythes, their blades the color of rust. Kiefer, whose sweeping paintings of desolate landscapes incorporate materials like wheat, gold leaf, ash, and lead, describes his process as one of constant beginning and destruction, acknowledging the connection between nothingness and existence.

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26 Avenue de l'Europe, 93350 Le Bourget, France
Feb 7 - Mar 28
Gagosian
Anselm Kiefer: Field of the Cloth of Gold
Gagosian is presenting "Anselm Kiefer: Field of the Cloth of Gold" at its Le Bourget location. On view are four new monumental paintings, completed by the artist over the past two years.

Exhibitions

Paris, 3rd arrondissement |Exhibitions

Beaten Ink, Upset Brick, Downcast Charcoal

Matias Faldbakken’s debut solo show at Galerie Chantal Crousel features a series of installations following the artist's use of opposing elements.

Hugh Steers, Blue Towel, Red Tank

Russell Tovey has curated the exhibition "Hugh Steers: Blue Towel, Red Tank,” part David Zwirner's “More Life” series, surrounding the HIV/AIDS crisis.

Baselitz — The retrospective

The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork.

Emily Mae Smith: Harvesters

Emily Mae Smith's "Harvesters" follows her chosen muse, a straw broom, in scenarios suggestive of styles and artworks of historic origins.

Anni et Josef Albers

This retrospective of Anni and Josef Albers looks at both their relationship as a couple and their respective artistic endeavors through a selection of over 350 works.

Anne Imhof: Natures Mortes Performance

Anne Imhof will be activating her exhibition "Natures Mortes" with a special program of performances through October 24.

Thierry Mugler, Couturissime

"Thierry Mugler, Couturissime" spans archival material dating between 1973—2014, looking at Mugler’s work across ready-to-wear, haute couture, and perfume.

Georg Baselitz – New Drawings

Coinciding with the Centre Georges Pompidou’s major retrospective of Georg Baselitz, Thaddaeus Ropac is debuting an exhibition of the artist’s new drawings.

Harold Ancart: La Grande Profondeur

Harold Ancart’s exhibition “La Grande Profondeur” features new sculptural works referencing the entity of a swimming pool and pondering the differences in shallow versus deep.

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